A 2012 Guggenheim Fellow, Dornith Doherty received a MFA in Photography from Yale University. She currently resides in Southlake, Texas and is Distinguished Research Professor at the University of North Texas.
In addition to the Guggenheim Fellowship, she has also received grants from the Fulbright Foundation, the Japan Foundation, the Indiana Arts Commission, and the United States Department of the Interior. The Texas Legislature named her 2016 Texas State Artist 2D.
Doherty’s work has been featured in exhibitions widely in the US and abroad at institutions including the Amon Carter Museum of American Art, Fort Worth, TX; the Art Museum of Southeast Texas, Beaumont, TX; the Bluecoat, Liverpool, England; the Centro de Fotografía, Tenerife, Spain; the Chapter Art Centre, Cardiff, Wales; the Crystal Bridges Museum of American Art, Bentonville, AR; the Encuentros Abiertos Photography Biennial in Buenos Aires, Argentina; the Exchange, Penzance, England; the Ferens Art Gallery, Kingston upon Hull, England; FotoFest, Houston, Texas; the Grace Museum, Abilene, TX; the Indiana State Museum, Indianapolis, IN; the Minneapolis Institute of Arts, Minneapolis, MN; the Museum Belvédère, Heerenveen, the Netherlands; the Museum of Photography, Rafaela, Argentina; the New Mexico Museum of Art, Santa Fe, NM; and the Tucson Museum of Art, Tucson, AZ. She has been invited to present scholarly papers and artist talks at over 80 institutions and conferences worldwide.
[…] Artist Dornith Doherty has spent much of her career photographing specimens at the Svalbard seed vault. There, scientists have amassed a collection of the world’s seeds to safeguard in the event of global catastrophe. Doherty’s work is a way of exploring our relationship with the fragility of our own existence. In the wake of news last week that the Svalbard vault was jeopardized by flood waters from rising sea levels, this tenuousness is even more pronounced. By examining something very small and unremarkable such as a seed, Dornith Doherty focuses a lens on the very question of human existence. […]
[…] Artist Dornith Doherty has spent much of her career photographing specimens at the Svalbard seed vault. There, scientists have amassed a collection of the world’s seeds to safeguard in the event of global catastrophe. Doherty’s work is a way of exploring our relationship with the fragility of our own existence. In the wake of news last week that the Svalbard vault was jeopardized by flood waters from rising sea levels, this tenuousness is even more pronounced. By examining something very small and unremarkable such as a seed, Dornith Doherty focuses a lens on the very question of human existence. […]