Interview

Hope Gangloff (b. 1974)attended The Cooper Union for the Advancement of Science andArt. She is well known for her vibrant portrait and landscape paintings that combine a distinctive bright palette with intricate line work. Her early portraiture garnered attention for its intimate observation of relatable moments, from a road trip with friends to a late-night houseparty. Gangloff’s work was recently exhibited in “Forces of Nature: Voices That Shaped Environmentalism” at the National Portrait Gallery, Washington D.C. and in “Women PaintingWomen” at the Fort Worth Modern, with an upcoming solo exhibition at Susan Inglett Gallery,NYC, from 1 May–7 June 2025.

Solo exhibitions include the Cantor Arts Center, StanfordUniversity; the Broad Art Museum, East Lansing; and Aldrich Contemporary Art Museum, Ridgefield. Her work can be found in the permanent collections of the Grinnell CollegeMuseum of Art, Grinnell; National Portrait Gallery, Washington, D.C.; the Broad Art Museum,East Lansing; the Kemper Museum, Kansas City; and Pennsylvania Academy of the Fine Arts,Philadelphia, among others.

Marek Wolfryd (b.1989, Mexico City) lives and works in Mexico City. He is a multidisciplinary artist that explores the intersection of artistic and economic narratives in the context of culture, history, and society. Through a wide range of media, such as process art, readymades, sculpture, installations, video, and performance, Wolfryd reviews cultural movements and their aesthetic discourses, generally delving into micro-historical phenomena surrounding these great chronicles. Through long-term research projects, Wolfryd builds a conceptual framework that exposes the complexity of certain narratives that exist both within and outside the spheres of symbolic influence of the Western world. His works reflect and explore the means of mass production, consumer culture, copyright, authorship, and the mechanisms of art creation and distribution.

His work has been shown in Aparador LA, Los Angeles, General Expenses, Mexico City, Tiro al Blanco, Guadalajara, Mexico, Chalton Gallery, London, United Kingdom, Aoyama Meguro, Tokyo, Japan, Museo de la Ciudad de Querétaro, Querétaro, Mexico, Ekkisens Art Space, Reykjavik, Iceland among others. Wolfryd holds a BA from ENPEG “La Esmeralda” and has studied at SOMA.

Riley Holloway studied Graphic Design at The Art Institute of Dallas, during which time he completed a Portrait Workshop at The Florence Academy of Art in Italy. Following his studies, Holloway was awarded a 3-month artist residency at The Fairmont Hotel in Dallas, which culminated in his first solo exhibition in the hotel’s gallery. The artist is a Hunting Prize finalist.

Holloway has exhibited internationally, with recent notable solo exhibitions including those at backs/ash in Paris, Erin Cluley Gallery in Dallas, Bloom Galerie in Geneva, Bode Projects at the Investec Cape Town Art Fair, The African American Museum of Dallas, and First Amendment Gallery in San Francisco. Love Galore at Massey Klein Gallery is the artist’s first solo exhibition in New York City.

In 2023, Holloway’s Records on Repeat was one of twelve works selected for acquisition by The Dallas Museum of Art (DMA) through the Dallas Art Fair Foundation. The artist’s work is held in other prominent collections including The University of Oregon, Stanford University, The Dean Collection, and The Fairmont Dallas. The artist lives and works in Dallas, TX.

Violeta Maya (b. 1993, Madrid, Spain) lives and works in Madrid and received her BA from Central Saint Martins College of Art and Design in 2015. Recent solo exhibitions include Me atrevo a decir que esta pintura está viva, Nicelle Beauchene Gallery, New York (2025), Precisamente porque el rosa me incomoda, Alzueta Gallery, Barcelona, ES (2023), Todo en constante cambio y yo aquí observando, Nicelle Beauchene Gallery, New York (2023), ¿Verde Azulado o Azul Verdoso?, Alzueta Gallery, Palau de Casavells, Girona, ES (2022), and A mi nadie me preguntó si quería nacer, pero bueno, aquí estoy, Alzueta Gallery, Madrid, ES (2022).

She was recently featured as part of the Olivia Foundation’s Spotlight Series and has been included in group exhibitions at Jack Siebert Projects, Los Angeles (2025), Fernberger Gallery, Los Angeles (2024), Alzueta Gallery, Madrid, ES (2023); and GÄRNA Gallery, Madrid, ES (2022), among others.

Diane Burko’s work in painting, photography, and time-based media considers the marks that human conversations make on the landscape. A Professor Emerita of the Community College of Philadelphia with additional teaching experience at Princeton University, Burko has received multiple grants from the NEA, the Pennsylvania Arts Council, the Leeway Foundation and the Independence Foundation. She has received a Lifetime Achievement Award from the Women’s Caucus for Art.

After focusing for several decades on monumental geological formations and waterways through landscape painting, Burko has shifted in the past 20 years to analyze the impact of industrial and colonial activity on those same landscapes. Burko’s practice seeks to visually emulsify interconnected subjects– extraction, deforestation, extinction, environmental justice, indigenous genocide, ecological degradation, climate collapse– so viewers might feel their connection viscerally through the beauty of her work. While her work deals with impending climate catastrophe, rather than lingering in dystopia, it celebrates the sublimity of the landscape by honoring the intricate geological and political webs that shape the identity of a place.

Burko has exhibited extensively nationally and internationally, including shows at London’s Royal Academy of Art, Minneapolis Art Institute, National Academy of Sciences, Phillips Collection, RISD Museum Tang Museum, Wesleyan University Center for the Arts, and the Círculo de Bellas Artes in Madrid. She has been awarded residencies in Giverny, Bellagio, the Arctic Circle, and the Amazon Rainforest. In 2021, her solo exhibition Seeing Climate Change at the American University Museum was cited in the New York Times as one of the best shows of 2021. Her most recent solo show, Diane Burko: Bearing Witness, open January 31 to March 8, 2025 at Cristin Tierney Gallery was her first solo exhibition in New York in over 40 years.

Throughout her practice, Burko especially cherishes her collaborations with researchers in the sciences. She learns the most from “bearing witness” to the land.