Marta Popivoda (Berlin/Belgrade) is a filmmaker, video artist, and researcher. Her work explores tensions between memory and history, collective and individual bodies, as well as ideology and everyday life, with a focus on antifascist and feminist potentialities of the Yugoslav socialist project. She cherishes collective practice in art-making and research, and for several years has been part of the TkH (Walking Theory) collective. Popivoda’s first feature documentary, Yugoslavia, How Ideology Moved Our Collective Body, premiered at the 63rd Berlinale and was later screened at many international film festivals.

Cristina Mejías




