


Author Website for Brainard and Delia Carey
Cristina Mejías (Jerez de la Frontera, Spain, 1986) We have become accustomed to preconceiving the academic world as the legitimate container and transmitter of knowledge. We have the luxury of being able to forget something because we can always retrieve it from books. But here it is not enough to simply dry a leaf and store it in a herbarium, because a living plant is bitten by the air, and it is important that this happens. Libraries need to be driven by our desire in order to take on life. The practice of orality cuts across bodies. The listener listens.
Cristina Mejías’ work is predicated on familiar narrations and storytelling, challenging the strict, traditional methods used to construct history by means of a linear narrative. What has brought us here to the present is founded upon the strata of History and stories that predate us. The creation of something regarded as new always begins with seizing a murmuring that triggers the story.
Mejías has a degree in Fine Arts from UEM (Madrid) and NCAD (Dublin) and a Master’s in Research in Art and Creation from UCM (Madrid). After several years living in Berlin, now she lives and works in Madrid.
Her work has recently been exhibited individually in Art centers such as Centro Párraga (Murcia, SP)- A un tiempo. Unos higos y un cántaro , Museum of Jaen and Museum of Cadiz (Jaen/Cádiz, SP)- For What Cannot Be Recovered Can at Least Be Reenacted, Blueproject Foundation (Barcelona, SP)- You Can’t Leave Fingerprints on Stone, a project born thanks to the collaboration with archaeologist and performer Efthimis Theou-, and the Contemporary Art Museum from Maracaibo (Maracaibo, VZ)- Tejer y contar.
Her work has also appeared in group exhibitions in Art institutions such as Tabakalera Donostia- Estudiotik at (San Sebastián, SP), CA2M- Colección XX (Madrid), La Casa Encedida- Generación 2020 and Things That Never Happened but Have Always Existed (Madrid, SP), SCAN Projects-Where water Rumbles (London, UK), CentroCentro (Madrid, SP), C3A-Touching Ground (Cordoba, SP), Fundación Mendoza- Correspondencias de Ultramar #4 Ana Navas y Cristina Mejías (Caracas, VZ), Artothèque-Ceux qui nous lient (Bordeaux, FR) or Tea-La tierra tiembla (Tenerife, SP). Along with her personal artistic work, currently she is collaborating with artist and performer Víctor Colmenero and their work has been seen or will be seen in places such as Volcánica Festival (Guadalajara, MX), La Capilla Theatre and Proyecto H (Mexico City, MX) or Pradillo Theatre (Madrid, SP).
She has recently won a number of awards and grants, including Generación 2020, Blueproject Foundation, VEGAP XXIII, Comunidad de Madrid|Estampa award or Iniciarte. Over the course of the last months, she has been artist in residence at Pico do Refúgio (Azores, PT), Hangar Lisboa (Lisboa, PT), C3A (Cordoba, SP), Matadero Madrid (Madrid, SP), Ateliers dos Coruchéus (Lisboa, PT), Tabakalera Donostia (San Sebastián, PT) and MACZUL (Maracaibo, VZ)
The book mentioned was by Ursula K. Leguin: The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination
Zeren Oruc is an independent curator based in Belgrade, Serbia, and Istanbul, Turkey. Her curatorial practice revolves around the environment, comparative cultural analysis, and intercultural communication through art. To reflect on the current artistic structures and social issues that art tackles, she tends to take an innovative and multidisciplinary approach, and adapt accordingly to the artist, the project, or the geography that she is working in.
Currently, she is working on several exhibitions in Belgrade and in Gemer, Slovakia, conducting curatorial brainstorming sessions with artists and giving portfolio reviews.
“Selfishness is not living as one wishes to live, it is asking others to live as one wishes to live.” -Oscar Wilde
We live in the world. And the world is filled with people, all with different needs and different desires. The way we live, the choices we make, do not affect us and us alone. Our actions have consequences sometimes far outside what we can immediately witness. Despite our human tendency to consider some as superior to others, in fact, we are all the same. We are all of one species, each with the same limited lifespan and biological need. While one may have more and another less, neither, in the larger picture, has objective rule over the other. The hierarchies we create are simply that, created. Subjective ways for some to exert their needs and wants while others pay the consequence.
Annie Jael Kwan spoke to us from Singapore. In 2020, she was in Japan for research when the pandemic hit and was unable to leave for some time. All along she was intending to stop in Singapore on her way back from Japan to her home in the U.K. When she was eventually able to leave Japan in July she traveled to Singapore only to become stuck there when the U.K. went into lockdown. Since 2018, Kwan has worked on a project called Asia Art Activism. This complex and diverse work brings more visibility to all parts of Asia and, in the words of the artist, “complicates the idea of Asia.” The project is a growing collaboration with about 100 contributors at this time. To hear more about this work and more, listen to the complete interview.
Sopheap Pich lives and works in Phnom Penh, Cambodia. We spoke on April 14 when he reported that after a year of decent management of the pandemic, a small number of people emerged from a hotel while infected with COVID and quickly spread the disease across the entire country. This sudden spike is quickly becoming very scary for Pich and his studio staff of 13. When we spoke he was considering building extra beds for his staff to use should they no longer be able to travel to and from their homes across the city. Most recently, Pich and his staff have just finished a sculpture of a Kapok fruit for a local group show. For 30 years, the artist has been fascinated by the shape of boats but has never known what to do with this interest. Building this fruit sculpture allowed him to turn this shape into a reality. To hear more, including what Pich has been working on since the beginning of the pandemic and how dead trees have factored into his work, listen to the complete interview.
A Few Words to Keep in your Pocket:
Bear in mind you belong to a species living on a finite planet. Act accordingly.
Interviews are available on iTunes as podcasts, and for Android please click here. All weekly essay pieces in a shareable format are here. The full archive of interviews here.
Books to Read
What are you reading? Add your titles to our reading list here. Annie Jael Kwan is reading On Earth We’re Briefly Gorgeous by Ocean Vuong. Sopheap Pich discussed The Alchemist by Paolo Coelho
Deadlines:
Sculptural artists are invited to submit their work for consideration for Resiliency Flows, an exhibit along the Mississippi River in the port of Dubuque, Iowa. Up to ten sculptures will be selected for this highly visible exhibition. Work should speak to overcoming the impacts of COVID-19 or issues of social justice. In addition to cash awards for the exhibition itself, selected artists will receive an honorarium of $1800. For more information, visit the website. Deadline for submissions is May 24.
Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics. He has written six books for artists; Making it in the Art World, New Markets for Artists, The Art World Demystified, Fund Your Dreams Like a Creative Genius, Sell Online Like a Creative Genius, and Succeed with Social Media Like a Creative Genius. His forthcoming book, Making it in the Art World, is available for pre-order with bonus content here.
Do you need a way to get your art into the world, or are you ready for some enrichment of your own artistic practice? Maybe you have found that right now there’s a need for additional funding to fuel your artistic career. Whatever it is that you need most right now, there are endless opportunities for artists if you know where to look. We round up a few each week, but there are countless more where these came from. Opportunities come in all shapes and sizes, from small, local exhibitions to national awards and fellowships, there are plenty out there that are right for you.
Artists are invited to submit their work for consideration for Resiliency Flows, an exhibit along the Mississippi River in the port of Dubuque, Iowa. Up to ten sculptures will be selected for this highly visible exhibition. Work should speak to overcoming the impacts of COVID-19 or issues of social justice. In addition to cash awards for the exhibition itself, selected artists will receive an honorarium of $1800. For more information, visit the website. Deadline for submissions is May 24.
The Dome House is accepting applications for residency right now. In their own words: “This residency offers two mid-career artists working in the mediums of silk-screening, fine art, or photography a space to create work and a $500 stipend. The program is open to residents of Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin.” For more information visit the website. Deadline for applications is May 31.
Artists interested in spending time on a remote island off the coast of Massachusetts this fall are invited to apply for the Cuttyhunk Island Artist Residency (CIAR) fall residency program. This is a great opportunity to meet new art colleagues, learn from experts and spend time in a beautiful setting where you can delve deeper into your practice. There is a cost for residency but scholarships are available. For more information and to apply, visit the website. Deadline for applications is June 1.
Praxis Center is in the business of building art careers. We know that there are many pieces that go into a successful art business and we are here to help. Our team of experts guides you every step of the way and our classroom of peers is a nurturing place where artists can network and feel safe sharing their triumphs and tribulations. If you’re looking for a place to help you ease up to the next level in your career, we invite you to give Praxis a try.
Brainard Carey is an author, artist and educator. He is the director of Praxis for Aesthetics. He has written six books for artists; Making it in the Art World, New Markets for Artists, The Art World Demystified, Fund Your Dreams Like a Creative Genius, Sell Online Like a Creative Genius, and Succeed with Social Media Like a Creative Genius. His forthcoming book, Making it in the Art World, is available for pre-order with bonus content here.
Photo credit: Wiki Commons