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Dr. Kristine Stiles is Distinguished Professor of Art, Art History and Visual Studies at Duke University. She holds an Honorary Doctorate of Arts from Dartington College of Arts/University of Plymouth, England. She specializes in art-ists’ writings, global contemporary and experimental art, and trauma studies.
She has authored over 100 articles, and her books include Concerning Consequences: Studies in Art, Destruction, and Trauma (2016), Correspondence Course: An Epistolary History of Carolee Schneemann and Her Cir-cle (2010), Theories & Documents of Contemporary Art (1996, 2012). Her essay “Uncorrupted Joy: International Art Actions,” is a monograph-length essay for the exhibition Out of Actions: Between Performance and the Object 1949–1979. She has curated several exhibitions at Duke, including Rauschenberg: Collecting & Connecting (2014–2015) and States of Mind: Dan & Lia Perjovschi (2007).
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work house was off-canvas, and included her actual […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] is seen and its role in determining the nature of what is seen,” writes the art historian. cristina stiles. Carolee’s workspace was off canvas and included her real […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] is seen and its role in determining the nature of what is seen,” writes the art historian. cristina stiles. Carolee’s workspace was off canvas and included her real […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] is seen and its role in determining the nature of what is seen,” writes the art historian. cristina stiles. Carolee’s workspace was off canvas and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] its position in figuring out the character of what’s seen”, writes the artwork historian Kristine Stiles. Carolee’s workspace was off canvas and included her actual […]
[…] with the seen and its role in determining the nature of the seen,” writes the art historian Kristine Stiles. Carolee’s workspace was off screen and included her real […]
[…] its position in figuring out the character of what’s seen”, writes the artwork historian Kristine Stiles. Carolee’s workspace was off canvas and included her actual […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] is seen and its role in determining the nature of what is seen,” writes the art historian. cristina stiles. Carolee’s workspace was off canvas and included her real […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] seen and its function in figuring out the character of the seen,” writes artwork historian Kristine Stiles. Carolee’s work house was off-canvas, and included her actual […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] what is seen and its role in determining the nature of the visible,” writes the art historian Kristen Styles. Karolyi’s workspace was off the canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] als auch seine Rolle bei der Bestimmung der Natur des Gesehenen“, schreibt der Kunsthistoriker Kristine Stiles. Carolees Arbeitsplatz war Off-Canvas und beinhaltete ihr wirkliches […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]
[…] to what is seen and its role in determining the nature of the seen,” writes art historian Kristine Stiles. Carolee’s work space was off-canvas, and included her real […]