Dan Piepenbring

Dan Piepenbring is the editor of The Paris Review Daily. He was collaborating with Prince on a memoir, The Beautiful Ones, before the artist’s death.
With Tom O’Neill, he’s co-writing CHAOS: A Secret History of the 1960s, due out for the fiftieth anniversary of the Manson murders. His work has appeared online at The New Yorker, Bon Appétit, n+1, Flaunt, and elsewhere.
Some of the books and writing mentioned in the interview are Jean Stein’s West of Eden:. and Bryan Washington’s writing for the Daily as well as Jane Stern’s writing.
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9 COMMENTS

  1. Prince told Wendy Melvoin that she could not participate in the Revolution reunion tour unless she renounced her Judaism. At least that’s what she said in a very sober interview in Mojo Magazine a few years back. I’m assuming Pieperbring is a jew. I wonder if that issue came up. Imagine if, say, Bruce Springsteen were accused of having done this? America’s intellectual class holds black people to lower standards. P.S. How the New Yorker has slid. The magazine of White, Thurber and Devries is long gone and all we’re left with are nasty gays and jews, and frequently nasty gay jews.

  2. Just another skinny butt hurt fag. It’s no wonder Prince was self medicating hisself after hanging around with this tool.

  3. seems that dan has problems excepting a real god really loves us by sending his only son to die in our place so we could spend eternity with him in heaven, I come from both sides of the fence and can only say open your heart and mind and simply believe. forever is a long time.

  4. […] Dan Piepenbring is the web editor for Paris Review Daily. He took over the position in 2014 and has since put his own editorial fingerprint on the still nascent online presence of the review which went digital in 2010. Piepenbring speaks to issues facing writers today in the age of digital publishing. The concentration of content available online has led to drastically reduced pay scales for writers across the board. “It’s abysmal, frankly,” quips Piepenbring, going on to say that he has lost talented writers because of the relatively low pay for features at the Paris Review Daily, which is a nonprofit. While the internet has hurt writers’ ability to get paid, Piepenbring points out that it has also opened new avenues for certain types of stories. One such story is the tale of Ernest Hemingway’s relationship with a Boston woman whose granddaughter had a collection of love letters penned by the famous American author during this early, whirlwind romance. […]

  5. […] Dan Piepenbring is the web editor for Paris Review Daily. He took over the position in 2014 and has since put his own editorial fingerprint on the still nascent online presence of the review which went digital in 2010. Piepenbring speaks to issues facing writers today in the age of digital publishing. The concentration of content available online has led to drastically reduced pay scales for writers across the board. “It’s abysmal, frankly,” quips Piepenbring, going on to say that he has lost talented writers because of the relatively low pay for features at the Paris Review Daily, which is a nonprofit. While the internet has hurt writers’ ability to get paid, Piepenbring points out that it has also opened new avenues for certain types of stories. One such story is the tale of Ernest Hemingway’s relationship with a Boston woman whose granddaughter had a collection of love letters penned by the famous American author during this early, whirlwind romance. […]