Brainard Carey

Based in Berlin, Stefan Römer, works as a de-conceptual artist; his works and essays are widely published.

He teaches as professor for art and art-theory and received the Award for Art Criticism by the Working Commitee of German Kunstvereine (AdKV) 2000.

 

Quenton Baker is a poet and educator from Seattle. His current focus is anti-blackness and the afterlife of slavery. His work has appeared in Jubilat, Vinyl, Apogee, Pinwheel, The James Franco Review, and Cura.

He is a two-time Pushcart Prize nominee and the recipient of the 2016 James W. Ray Venture Project award and the 2018 Arts Innovator Award from Artist Trust. He is the author of This Glittering Republic (Willow Books, 2016).

Nathaniel Popkin is the author of five books, including the new novel Everything is Borrowed (New Door Books), called “utterly absorbing” by the writer Robin Black, and the co-editor of Who Will Speak for America?, a literary anthology in response to the American political crisis, forthcoming in June 2018 (Temple University Press). He is the fiction review editor of Cleaver Magazine, as well as a prolific book critic—and National Book Critics Circle member—focusing on literary fiction and works in translation. His work has appeared in the Wall Street Journal, Public Books, The Rumpus, Tablet Magazine, LitHub, The Millions, and the Kenyon Review, among other publications.

As a keen observer of cities and lived places, Popkin has often turned his eye to the layers of history and life in his own city. He’s the founding co-editor of the Hidden City Daily, a web magazine that covers architecture, design, planning, and preservation in Philadelphia, and the co-author of the 2017 work of non-fiction, Philadelphia: Finding the Hidden City (Temple University Press). He’s also the senior writer and story editor of the multi-part documentary film series “Philadelphia: The Great Experiment,” for which his work has been recognized with several Emmy awards. He was the guest architecture critic of the Philadelphia Inquirer from 2011-12.

Popkin’s first novel, Lion and Leopard (The Head and The Hand Press), is a mediation on originality and influence in art. It reimagines the life and tragic death of the first great American genre painter, John Lewis Krimmel. Lion and Leopard was a finalist for the Foreword Reviews Indie Book of the Year Award, and novelist Ken Kalfus described it as “historical literary fiction at its most engaging.”

Lion and Leopard followed two books of literary non-fiction, the 2002 Song of the City(Four Walls Eight Windows/Basic Books) and the 2008 essay collection, The Possible City (Camino Books).

Popkin has been a Pennsylvania Council on the Arts fellow and a writer-in-residence at Philadelphia University and the Athenaeum of Philadelphia.

Kirsten Hassenfeld moved to New York in 1999 and has been living and working in Brooklyn ever since. She focused on making sculptural works from paper until 2012, when recycled materials and objects became her primary medium. Originally a printmaker, she most recently has turned her attention to large-scale woven wall works.

Hassenfeld received a Saint Gaudens Memorial Fellowship in 2014 and has also been a Pollock-Krasner grant recipient, and a grantee of the New York Foundation for the Arts. She has been a studio resident at the Marie Walsh Sharpe Studio, Smack Mellon Studio, and The Fine Arts Work Center in Provincetown. Her work has been shown at such venues as the Brooklyn Museum, the Jewish Museum in New York, and PS1/MoMa.