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At first glance, Mung’ora’s work offers glimpses into everyday life in Nairobi, capturing moments ranging from bustling cityscapes to intimate portraits.Yet, upon deeper reflection, Mung’ora’s canvases reveal a profound commentary on the fragmentation of urban landscapes, where physical and socialboundaries delineate diverse experiences from street to street. Through meticulously layered compositions, Mung’ora intertwines historical referenceswith modern-day scenes, highlighting the enduring imprints of past lives while emphasizing the disparities inherent in Nairobi’s evolving environments.
Mung’ora is a member of Brush Tu, a Nairobi-based artists’ collective, and has exhibited widely including: A Tapestry of Contemporary Africa, MoCaL.I., New York (2024); Common Ground, NCAI, Nairobi (2023); African Identities, AKKA Project, Venice (2022); Walking the Edge, Afriart Gallery,Kampala (2022); 1-54 Contemporary Art Fair, New York (2022); Fragments, Antoine Dupin, Rennes (2022); A Gathering of Small Fires, MontagueContemporary, New York (2021); Sacrifice Pasture, One Off Gallery, Nairobi (2021); Kikulacho, British Institute in East Africa, Nairobi (2018);Remains, Waste & Metonymy II, British Institute in East Africa, Nairobi (2017); Stranger Times, Circle Art Gallery, Nariobi (2017), among others.
He was the winner of the 2016 Manjano Art Prize in Nairobi, a finalist in the 2018 edition of the Barclays L’Atelier competition, and a finalist in the 2020EPI competition.His works form part of many notable collections, including the I&M Bank Collection, MFA Boston (promised), New Orleans Museum of Art (promised),Rodney Miller Collection, Nicolas Jay Collection, Rift Collection, Sir John Rose Collection, among others. His work been featured in the Artnet, Art inAfrica, the New York Times, and the Nation, among others.
[…] Elias Mung’ora joined us to talk about his museum show, Song of Lawino, which ran until February 21 at the Yang Family University Art Gallery at Indiana State University. The title comes from the epic poem of the same name by Ugandan poet Okot P’Bitek about a woman lamenting a change in her husband after his introduction to Western ideas of education, God and Christianity. The poem explores the idea of colonialism through the lens of its main character. To learn more about this and the work Mung’ora created in response, listen to the complete interview. […]