Tim Kent
Brooklyn-based painter Tim Kent depicts psychotically charged interiors and unsettling dreamlike-vistas. In Kent’s painting, architecture and landscape are fused with gestural brush marks and elements of abstraction, but the picture plane is never flattened. Rather, the viewer is drawn into a deep space enhanced by Kent’s characteristic, symbolic perspectival grid lines. A reference to the Renaissance system used for constructing pictorial space, Kent’s perspectival lines evoke contemporary technological, mechanical and social systems such as electric grids, building elevation lines, internet networks, social networks, the flow of politics and information, and displays of power.
The artist’s imagery has evolved over the course of several bodies of work including A World After Its Own Image (2016) Dark Pools and Data Lakes (2018) and Enfilade (2020). Kent describes his paintings as sometimes “stemming from a reaction to an event or moment from my life or the world, which I then use as the basis for my work.” In other instances, his compositions “refer back to my own archive, whether photographs I’ve taken or found, or an image from an earlier work that continues to attract me psychologically or aesthetically. As Kent develops a painting, “the subject moves into focus, usually revealing some form of juxtaposition or conflict which serves as the basis for a larger body of work. Certain themes recur, historical narratives as cultural capital, or the interiors of stately architecture as artifact and landscapes modified by industry.”



Ben Coonley
Ben Coonley is an artist working with video, computers, 3D, and cats. His work has exhibited in “3D: Double Vision” at LACMA in Los Angeles; “Dreamlands: Immersive Cinema and Art, 1905-2016” at the Whitney Museum of American Art, New York; “Flat is Beautiful: The...

Robert Zandvliet
Robert Zandvliet is one of the foremost Dutch painters working today, whose work has been on the cusp of abstraction and representation since the early 1990’s. He examines the tension between self-reflective artistic practice and painting bound to a representational...

Sarah Slappey
Sarah Slappey (b. 1984, Columbia, South Carolina) is a painter based in Brooklyn, NY. Slappey received her MFA from Hunter College in 2016. She has had solo exhibitions at Maria Bernheim Gallery (Zurich, Switzerland) and Sargent’s Daughters (New York, NY). Her work...

Antoine Catala
Antoine Catala is French. He has lived in the US for the past 17 years. He has exhibited at the Whitney Museum, New York, New Museum, New York, Sculpture Center, New York, Carnegie Museum of Art, Pittsburgh, Kunsthalle Wien, Austria, MACLyon, Lyon, Fridericianum,...

Nicholas Galanin
Examining the complexities of contemporary Indigenous identity, culture, and representation, Nicholas Galanin works from his experience as a Tlingit and Unangax̂ artist. Embedding incisive observation and reflection into his oftentimes provocative work, he aims to...

Chris Regner
Chris Regner is an artist born and raised in Milwaukee, Wisconsin. He works serially, using autobiography as a jumping-off point for satire, humiliation, and explorations of the grotesque. His work tackles a variety of topics, including religious and cultish...

Rainer Gross
Rainer Gross in his studio – photo by David Benthal Rainer Gross was born in Cologne, Germany in 1951. In 1973 he left Cologne to come to New York City, where he continued his art career at a time when many proclaimed the “end of painting.” Gross’ reaction to...

David Claerbout
Courtesy Studio David Claerbout This interview discusses the work of Claerbout in the context of an exhibition at Sean Kelly gallery in New York City.. Throughout his career, the Belgian artist David Claerbout has investigated the conceptual impact of the passage of...

Scott Lyall
Scott Lyall Scott Lyall (b. 1964, Toronto) lives and works in Toronto and New York. Scott Lyall combines drawing, painting, sculpture, and found objects into what he describes as a ‘scenography without actors,’ or ‘plastic supports for an almost clientless sense of...

Jon Davis
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