{"id":9750,"date":"2022-05-22T11:47:23","date_gmt":"2022-05-22T15:47:23","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=9750"},"modified":"2022-05-22T12:19:04","modified_gmt":"2022-05-22T16:19:04","slug":"robert-zandvliet","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/robert-zandvliet\/","title":{"rendered":"Robert Zandvliet"},"content":{"rendered":"

\"\"Robert Zandvliet<\/a> is one of the foremost\u00a0Dutch painters working today, whose work has been on the cusp of abstraction and representation since the early 1990\u2019s. He\u00a0examines the tension between self-reflective artistic practice and painting bound to a representational function. His pictures arise out of a movement between opposites, a symbiotic relationship between deliberate composition and chance occurrence, abstraction and figuration, part and whole, space and surface, and in which these elements are fused into polyphonic structures that re-envision the history of painting through his own lens.\u00a0Oftentimes using\u00a0landscape as a conceptual frame of reference, recognizable representations of a landscape become replaced by a gestural play of lines, colors, and surfaces that shift and merge foreground and background, reorienting the viewer\u2019s perception of depth and surface.<\/p>\n

Robert Zandvliet\u00a0(b. Terband, Netherlands, 1970) lives and works in Haarlem, Netherlands. He received an MFA from De Ateliers, Amsterdam, Netherlands (1994). Solo exhibitions\u00a0include\u00a0Dordrechts Museum, Netherlands (2019);\u00a0De Pont Museum,\u00a0Tilburg, Netherlands (2014, 2005, 1997); Gemeentemuseum, The Hague, Netherlands\u00a0(2012); Kunstmuseum Bonn, Germany (2005); Stedelijk Museum, Amsterdam, Netherlands (2001);\u00a0Neues Kunstmuseum, Lucerne, Switzerland (2001);\u00a0Mus\u00e9e d\u2019art moderne et contemporain, Strasbourg, France (2000).<\/p>\n

Public collections include Stedelijk Museum, Amsterdam, Netherlands; Kunstmuseum Luzern, Switzerland; Mus\u00e9e d\u2019art moderne et contemporain, Strasbourg, France; Gemeentemuseum, The Hague, Netherlands; Kunstmuseum Bonn, Germany; Museum Voorlinden, Wassenaar, Netherlands; Museum de Pont, Tilburg, Netherlands; Dordrechts Museum, Netherlands. He is a recipient of the Prix de Rome (1994).<\/p>\n

\"\"
Tangerine, 2019, acrylic and egg tempera on linen, 83 7\/8 x 106 1\/4 inches (213 x 270 cm)<\/figcaption><\/figure>\n
\"\"
Untitled, 2019 egg tempera on linen 24 3\/4 x 28 3\/8 inches (63 x 72 cm)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Robert Zandvliet is one of the foremost\u00a0Dutch painters working today, whose work has been on the cusp of abstraction and representation since the early 1990\u2019s. He\u00a0examines the tension between self-reflective artistic practice and painting bound to a representational function. His pictures arise out of a movement between opposites, a symbiotic relationship between deliberate composition and […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9750"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=9750"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9750\/revisions"}],"predecessor-version":[{"id":9785,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9750\/revisions\/9785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=9750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=9750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=9750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}