{"id":9370,"date":"2022-04-09T13:14:38","date_gmt":"2022-04-09T17:14:38","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=9370"},"modified":"2022-04-09T14:37:34","modified_gmt":"2022-04-09T18:37:34","slug":"eric-aho","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/eric-aho\/","title":{"rendered":"Eric Aho"},"content":{"rendered":"

\"\"Eric Aho<\/a> is an American artist whose paintings are equally concerned with the physical immensity and intimacy of the natural world as much as\u00a0with an ever-evolving process of extract-ing spiritual experiences discovered within it. His energetic, gestural painting process uses lively marks and\u00a0swaths of color to create richly applied paint that morphs between abstract expanses and the contours of nature. Aho\u2019s work develops primarily from his\u00a0own experience and memories of the landscape. He references broadly and freely from the history of art\u2014responding to a wide range of works from\u00a0Poussin to Constable, and from Winslow Homer to Ellsworth Kelly to inform his compositions. Aho lives and works in Saxtons River, Vermont.<\/p>\n

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Ice Out (Allagash), Oil on linen, 90×80, Photography \u00a9 Rachel Portesi. Courtesy of DC Moore Gallery, New York<\/figcaption><\/figure>\n
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Ice Cut (Violet, Kennebec), Oil on linen, 80×90, Photography \u00a9 Rachel Portesi. Courtesy of DC Moore Gallery, New York<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Eric Aho is an American artist whose paintings are equally concerned with the physical immensity and intimacy of the natural world as much as\u00a0with an ever-evolving process of extract-ing spiritual experiences discovered within it. His energetic, gestural painting process uses lively marks and\u00a0swaths of color to create richly applied paint that morphs between abstract expanses […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9370"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=9370"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9370\/revisions"}],"predecessor-version":[{"id":9401,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9370\/revisions\/9401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=9370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=9370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=9370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}