{"id":9013,"date":"2021-12-15T13:08:16","date_gmt":"2021-12-15T18:08:16","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=9013"},"modified":"2022-02-10T13:19:54","modified_gmt":"2022-02-10T18:19:54","slug":"jessica-piazza","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/jessica-piazza\/","title":{"rendered":"Jessica Piazza"},"content":{"rendered":"

\"\"Jessica Piazza is the author of three poetry collections and a children\u2019s book. Born and raised in Brooklyn, Jessica now lives in Los Angeles where she is a writing professor at the University of Southern California<\/a>and a book\u00a0club facilitator for Literary Affairs<\/a>. She co-founded\u00a0Bat City Review<\/a><\/i>\u00a0and Gold Line Press<\/a>, and is the 2019 recipient of the Amy Clampitt Residency Program<\/a> award. To learn more, visit www.jessicapiazza.com<\/a>.<\/p>\n

The books\u00a0 mentioned at the end of the interview are: Bree Rolfe, Who’s Going to Love the Dying Girl<\/a> \/ Unsolicited Press, 2021, and Kazuo Ishiguro, Klara and the Sun<\/a> \/ Knopf, 2021.<\/p>\n

\n
\n
\n
\n

The books pictured below by Jessica Piazza are Interrobang<\/a> \/ Red Hen Press, 2013, This is not a sky<\/a> \/ Black Lawrence Press, 2014 and Obliterations<\/a> \/ Red Hen Press, 2016.<\/p>\n

\"\"<\/a><\/p>\n

\"\"\"\"<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Jessica Piazza is the author of three poetry collections and a children\u2019s book. Born and raised in Brooklyn, Jessica now lives in Los Angeles where she is a writing professor at the University of Southern Californiaand a book\u00a0club facilitator for Literary Affairs. She co-founded\u00a0Bat City Review\u00a0and Gold Line Press, and is the 2019 recipient of […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9013"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=9013"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9013\/revisions"}],"predecessor-version":[{"id":9043,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/9013\/revisions\/9043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=9013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=9013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=9013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}