{"id":8904,"date":"2022-01-26T10:58:07","date_gmt":"2022-01-26T15:58:07","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=8904"},"modified":"2022-01-26T11:28:32","modified_gmt":"2022-01-26T16:28:32","slug":"david-winner","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/david-winner\/","title":{"rendered":"David Winner"},"content":{"rendered":"

\"\"Enemy Combatant<\/a><\/em>, David Winner’s third novel (March 2021) received a Kirkus-starred review<\/a> and was a Publisher’s Weekly\/Booklife Editor’s Pick<\/a>.<\/p>\n

He is the co-editor of Writing the Virus<\/em>, a New York Times briefly-noted Anthology. His Kirkus- recommended, second novel, Tyler’s Last<\/em> came out in 2005 while his first, The Cannibal of Guadalajara<\/em>, won the 2009 Gival Press Novel Award and was nominated for the National Book Award. His work has appeared in The Village Voice<\/em>, Fiction<\/em>, The Iowa Review<\/em>, The Millio<\/em>ns and The Kenyon Review<\/em>.<\/p>\n

He is a senior editor at StatOrec<\/em> magazine, the fiction editor of The American, <\/em>a magazine based in Rome, and a regular contributor to The Brooklyn Rail.<\/em><\/p>\n

\"\"<\/p>\n

\"\"
The subject of part of the interview, Dorle, with Mick Jagger<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Enemy Combatant, David Winner’s third novel (March 2021) received a Kirkus-starred review and was a Publisher’s Weekly\/Booklife Editor’s Pick. He is the co-editor of Writing the Virus, a New York Times briefly-noted Anthology. His Kirkus- recommended, second novel, Tyler’s Last came out in 2005 while his first, The Cannibal of Guadalajara, won the 2009 Gival […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8904"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=8904"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8904\/revisions"}],"predecessor-version":[{"id":8932,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8904\/revisions\/8932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=8904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=8904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=8904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}