{"id":8740,"date":"2021-12-28T13:48:35","date_gmt":"2021-12-28T18:48:35","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=8740"},"modified":"2021-12-28T14:16:01","modified_gmt":"2021-12-28T19:16:01","slug":"malachi-black","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/malachi-black\/","title":{"rendered":"Malachi Black"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"size-medium wp-image-12173 alignleft\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black.png\" alt=\"\" width=\"300\" height=\"198\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-1.png 300w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-2.png 1024w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-3.png 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-4.png 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-5.png 741w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-6.png 1068w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-7.png 637w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-8.png 1497w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Malachi-Black-9.png 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><a href=\"https:\/\/www.malachiblack.comhttps:\/\/poets.org\/poet\/malachi-black\">Malachi Black<\/a> is the author of <em>Storm Toward Morning<\/em> (Copper Canyon Press, 2014), a finalist for the Poetry Society of America\u2019s Norma Farber First Book Award and a selection for the PSA\u2019s <a href=\"https:\/\/poetrysociety.org\/features\/new-american-poets\/malachi-black-selected-by-ilya-kaminksy\">New American Poets Series (chosen by Ilya Kaminsky)<\/a>. Black\u2019s poems have appeared in <em>The American Poetry Review<\/em>, <em>The Believer<\/em>, <em>The Los Angeles Review of Books<\/em>, and <em>The Paris Review<\/em>, among other journals, and in a number of anthologies, including <em>Before the Door of God:\u00a0 An Anthology of Devotional Poetry<\/em> (Yale U.P., 2013), <em>Discoveries:\u00a0 New Writing from The Iowa Review<\/em> (Iowa Review, 2012), and <em>The Poet\u2019s Quest for God<\/em> (Eyewear Publishing [U.K.], 2016).<\/p>\n<p>A 2019 National Endowment for the Arts Creative Writing Fellow, Black has also received fellowships and awards from the Amy Clampitt House, the Bread Loaf Writers\u2019 Conference, Emory University, the Fine Arts Work Center in Provincetown, Hawthornden Castle, the MacDowell Colony, the <a href=\"https:\/\/www.poetryfoundation.org\/poets\/malachi-black\">Poetry Foundation (a 2009 Ruth Lilly Fellowship)<\/a>, the Sewanee Writers\u2019 Conference, and Yaddo. Black\u2019s work has been featured in exhibitions both in the U.S. and abroad, including several musical settings and translations into French, Dutch, Italian, Croatian, and Lithuanian. Black is an associate professor of English and Creative Writing at the University of San Diego.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-12175\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table.jpg\" alt=\"\" width=\"640\" height=\"1983\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-1.jpg 736w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-2.jpg 97w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-3.jpg 330w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-4.jpg 496w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-5.jpg 661w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-6.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Fragments2_Table-7.jpg 136w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-12174\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light.jpg\" alt=\"\" width=\"640\" height=\"960\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light-1.jpg 683w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light-2.jpg 200w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light-3.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light-4.jpg 280w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/STM_Hand-Light-5.jpg 720w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malachi Black is the author of Storm Toward Morning (Copper Canyon Press, 2014), a finalist for the Poetry Society of America\u2019s Norma Farber First Book Award and a selection for the PSA\u2019s New American Poets Series (chosen by Ilya Kaminsky). Black\u2019s poems have appeared in The American Poetry Review, The Believer, The Los Angeles Review [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8740"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=8740"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8740\/revisions"}],"predecessor-version":[{"id":8766,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8740\/revisions\/8766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=8740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=8740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=8740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}