{"id":8559,"date":"2021-12-05T12:00:58","date_gmt":"2021-12-05T17:00:58","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=8559"},"modified":"2021-12-05T12:12:01","modified_gmt":"2021-12-05T17:12:01","slug":"paula-rebsom","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/paula-rebsom\/","title":{"rendered":"Paula Rebsom"},"content":{"rendered":"<figure id=\"attachment_12101\" aria-describedby=\"caption-attachment-12101\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" class=\"wp-image-12101 size-medium\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab.jpg\" alt=\"\" width=\"300\" height=\"228\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab-1.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab-2.jpg 768w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab-3.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab-4.jpg 552w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/Paula_Rebsom_Youtube_ScreenGrab-5.jpg 986w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-12101\" class=\"wp-caption-text\">Screen Capture from Class Demo Video<\/figcaption><\/figure>\n<p><a href=\"http:\/\/paularebsom.com\/\">Paula Rebsom<\/a> describes herself as an Artist, Mother, Educator, and Trickster. All of these identities inform her interdisciplinary visual art practice which includes making sculptures from wood and fabric, site-specific installations, and image-based work using motion-sensor cameras. She\u2019s always had an interest in science, specifically wildlife ecology, and applies elements of that into her work.<\/p>\n<p>Born and raised in Southwest North Dakota she spent a great deal of time exploring nature and learning to sew and craft. Much of her work after grad school was situated outdoors and used motion-sensor cameras to document animal interactions with site-specific installations. Becoming a mother 6 years ago radically shifted her practice. No longer able to spend extended periods of time in remote locations, she returned to sewing, making quilts in order to process the raw emotions she was experiencing as a new mother. She is currently returning towards more image-based surveillance work by documenting the flora and fauna using her backyard and neighborhood greenspaces as installation sites.<\/p>\n<p>She is currently full-time faculty in the art department at North Seattle College. Her work has been exhibited across the US, including group shows in New York City, Philadelphia, Miami, and Los Angeles, along with solo exhibitions at The Art Gym in Portland, OR, Gallery of Contemporary Art in Colorado Springs and SOIL Gallery in Seattle.<\/p>\n<p>The Books mentioned in the interview were <a href=\"https:\/\/www.basicbooks.com\/titles\/rob-dunn\/never-home-alone\/9781541645745\/\">Never Home Alone<\/a> and <a href=\"https:\/\/www.sharonlouden.com\/#\/books\/\">The Artist as Culture Producer<\/a>.<\/p>\n<figure id=\"attachment_12102\" aria-describedby=\"caption-attachment-12102\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-12102 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected.jpeg\" alt=\"\" width=\"640\" height=\"512\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-5.jpeg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-8.jpeg 525w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-9.jpeg 1280w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/01_Rebsom_Undetected-scaled-10.jpeg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-12102\" class=\"wp-caption-text\">Undetected, 2013, Digital image taken with a RECONYX motion detection infrared camera, Dimension Vary.<\/figcaption><\/figure>\n<figure id=\"attachment_12103\" aria-describedby=\"caption-attachment-12103\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-12103 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence.jpeg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-5.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-6.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-7.jpeg 630w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/12\/02_Rebsom_In_Our_Absence-9.jpeg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-12103\" class=\"wp-caption-text\">Absence of Color, 2019, Pigment Print, 24&#8243;x18&#8243;<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Screen Capture from Class Demo Video Paula Rebsom describes herself as an Artist, Mother, Educator, and Trickster. All of these identities inform her interdisciplinary visual art practice which includes making sculptures from wood and fabric, site-specific installations, and image-based work using motion-sensor cameras. She\u2019s always had an interest in science, specifically wildlife ecology, and applies [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8559"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=8559"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8559\/revisions"}],"predecessor-version":[{"id":8588,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/8559\/revisions\/8588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=8559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=8559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=8559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}