{"id":6715,"date":"2021-06-25T08:51:37","date_gmt":"2021-06-25T12:51:37","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=6715"},"modified":"2021-06-25T09:07:14","modified_gmt":"2021-06-25T13:07:14","slug":"mattilda-bernstein-sycamore","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/mattilda-bernstein-sycamore\/","title":{"rendered":"Mattilda Bernstein Sycamore"},"content":{"rendered":"

\"\"MATTILDA BERNSTEIN SYCAMORE<\/a> is most recently the author of The Freezer Door<\/em>, a\u00a0New York Times\u00a0<\/em>Editors\u2019 Choice, one of Oprah Magazine<\/em>\u2019s Best LGBTQ Books of 2020, and a finalist for the PEN\/Jean Stein Book Award.<\/p>\n

Her previous nonfiction title,\u00a0The End of San Francisco<\/em><\/a>, won a Lambda Literary Award, and her novel\u00a0Sketchtasy<\/a>\u00a0<\/em>was one of NPR\u2019s Best Books of 2018. Sycamore is the author of two nonfiction titles and three novels, as well as the editor of five nonfiction anthologies.<\/p>\n

Her sixth anthology, Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis<\/em><\/a>, will be out in October.<\/p>\n

\"\"
Mattilda Bernstein Sycamore signing at Elliott Bay, 11-19-20, by Karen Maeda-Allman<\/figcaption><\/figure>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

MATTILDA BERNSTEIN SYCAMORE is most recently the author of The Freezer Door, a\u00a0New York Times\u00a0Editors\u2019 Choice, one of Oprah Magazine\u2019s Best LGBTQ Books of 2020, and a finalist for the PEN\/Jean Stein Book Award. Her previous nonfiction title,\u00a0The End of San Francisco, won a Lambda Literary Award, and her novel\u00a0Sketchtasy\u00a0was one of NPR\u2019s Best Books […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6715"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=6715"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6715\/revisions"}],"predecessor-version":[{"id":6745,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6715\/revisions\/6745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=6715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=6715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=6715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}