{"id":6053,"date":"2021-01-12T21:33:40","date_gmt":"2021-01-13T02:33:40","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=6053"},"modified":"2021-06-03T18:40:36","modified_gmt":"2021-06-03T22:40:36","slug":"mark-gerard-brogan","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/mark-gerard-brogan\/","title":{"rendered":"Mark Gerard Brogan"},"content":{"rendered":"

\"\"Mark Gerard Brogan<\/a> was born in London where he studied art as an under- and post-graduate at Goldsmiths college. For over 15 years he has been living in Belgrade working as an artist and translator. As a resident in Belgrade \u2013 a foreigner in the \u201crelaxed\u201d, \u201cbipolar\u201d position of belonging \u2013 in his watercolour paintings and collages he reads society\u2019s problems from the cracks, fractures and overlapping of socio-politico-historical phenomena.<\/p>\n

He first exhibited in Serbia in 2010 at the Belgrade Cultural Centre showing an experimental film about an artist-run telephone call-centre.\u00a0In 2017 he exhibited\u00a0the large-scale photo-wallpaper \u201cUnforgetting Aelita\u201d\u00a0<\/em>in the courtyard of the Gallery-Legacy of Milica Zori\u0107 and Rodoljub \u010colakovi\u0107, and more recently participated in the 13th<\/sup> International Aquarelle Biennial in Zrenjanin, Serbia and his exhibition \u201cShadowy Stories\u201d was held at Remont Independent Art Space in Belgrade. His works are in amongst others the collections of Deutsche Telekom and the InterSpace Association, Sofia, Bulgaria\u00a0 – Transitland. Video art from Central and Eastern Europe 1989-2009.<\/p>\n

\"\"
30 Juin 1960 Zaire Independent installation<\/figcaption><\/figure>\n
\"\"
Between Worlds<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Mark Gerard Brogan was born in London where he studied art as an under- and post-graduate at Goldsmiths college. For over 15 years he has been living in Belgrade working as an artist and translator. As a resident in Belgrade \u2013 a foreigner in the \u201crelaxed\u201d, \u201cbipolar\u201d position of belonging \u2013 in his watercolour paintings […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6053"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=6053"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6053\/revisions"}],"predecessor-version":[{"id":6081,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6053\/revisions\/6081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=6053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=6053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=6053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}