{"id":6020,"date":"2021-01-12T21:46:24","date_gmt":"2021-01-13T02:46:24","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=6020"},"modified":"2021-06-03T18:39:23","modified_gmt":"2021-06-03T22:39:23","slug":"josepha-gutelius","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/josepha-gutelius\/","title":{"rendered":"Josepha Gutelius"},"content":{"rendered":"
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An award-winning poet and playwright, Josepha Gutelius<\/a> made a radical switch to visual art in 2015 \u2014 inspired by an impulse to continue writing on the canvas, to convert narratives into visions. She usually works in series, each painting an interdependent expression of a particular theme. Themes such as \u201cShape of Water,\u201d \u201cSchool Days,\u201d \u201cTheater Pieces,\u201d\u00a0 \u201cRoman Elegies,\u201d and most recently, \u201cInhabiting New Earth.\u201d Her series \u201cSilence of Nowhere\u201d received a generous grant from the Barbara Deming Memorial Fund.\u00a0 Two of her paintings are currently on view at the Albany Institute of History and Art, selected by Susan Cross, senior curator at Mass MoCA.<\/p>\n

She lives in Saugerties, New York with her husband, whom she met at Salvador\u2019s house in Cadaques, Spain, in 1971.<\/p>\n

Images of her recent work can be seen on Instagram #josephagutelius<\/a>.<\/p>\n

This is the book discussed in the interview: The Elegance of the Hedgehog<\/a>.<\/p>\n<\/div>\n

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Studio View<\/figcaption><\/figure>\n<\/div>\n
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Studio View<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

An award-winning poet and playwright, Josepha Gutelius made a radical switch to visual art in 2015 \u2014 inspired by an impulse to continue writing on the canvas, to convert narratives into visions. She usually works in series, each painting an interdependent expression of a particular theme. Themes such as \u201cShape of Water,\u201d \u201cSchool Days,\u201d \u201cTheater […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6020"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=6020"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6020\/revisions"}],"predecessor-version":[{"id":6052,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/6020\/revisions\/6052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=6020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=6020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=6020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}