{"id":5761,"date":"2020-10-23T14:02:01","date_gmt":"2020-10-23T18:02:01","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=5761"},"modified":"2021-06-03T16:49:17","modified_gmt":"2021-06-03T20:49:17","slug":"sarah-lawson-and-lee-norton","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/sarah-lawson-and-lee-norton\/","title":{"rendered":"Sarah Lawson and Lee Norton"},"content":{"rendered":"
Sarah Lawson\u00a0is a writ\"\"er and editor based in Brooklyn. They are a member of the Ugly Duckling Presse editorial collective, and act as UDP’s Publicity Director.<\/div>\n
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\"\"Lee Norton is a member of the Ugly Duckling Presse Editorial Collective, where he also serves as the Development Director. He teaches composition and literature at Queens College CUNY, usually with a focus on the history and rhetoric of the life sciences, theories of genre, 20th-century fiction, and contemporary poetry, in some combination. He earned a PhD in English and Comparative Literature at UNC-Chapel Hill; his critical work has appeared in Occasions<\/i>; his poetry, in\u00a0Ohio Edit<\/i>, Drunken Boat<\/i>, Supermachine<\/i>, and several other magazines.<\/div>\n
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Ugly Duckling Presse is a nonprofit publisher for poetry, translation, experimental nonfiction, performance texts, and books by artists. Through the efforts of a volunteer editorial collective, UDP was transformed from a 1990s zine into a mission-driven small press that has published more than 300 titles to date, and produced countless prints and ephemera.<\/div>\n
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UDP favors emerging, international, and \u201cforgotten\u201d writers, and its books, chapbooks, artist\u2019s books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking.<\/div>\n
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UDP is committed to keeping its publications in circulation with our online archive of out-of-print chapbooks and our digital proofs program. In all of its activities, UDP endeavors to create an experience of art free of expectation, coercion, and utility.<\/div>\n
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Here<\/a> is a link to the pamphlet subscription mentioned in the interview and the regular subscription is here<\/a>.<\/div>\n
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And here<\/a> is some more writing on the reasoning \/ history that went into doing the pamphlet series, in the words of editor Daniel Owen.<\/div>\n
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Soviet Texts, the first representative selected volume of poetry by Dmitri Alexandrovich Prigov, a leading writer of the late Soviet and early post-Soviet era and one of the founders of Moscow Conceptualism.<\/figcaption><\/figure>\n<\/div>\n
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The first batch of the 2020 Pamphlet Series, with work from Simon Cutts, Sergio Chejfec, Don Mee Choi, Steven Zultanski, and Aleksandr Skidan.<\/figcaption><\/figure>\n<\/div>\n
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Bobbie Louise Hawkins’ autobiographical novel One Small Saga; and Laura Riding’s first book of poetry, The Close Chaplet.<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Sarah Lawson\u00a0is a writer and editor based in Brooklyn. They are a member of the Ugly Duckling Presse editorial collective, and act as UDP’s Publicity Director. Lee Norton is a member of the Ugly Duckling Presse Editorial Collective, where he also serves as the Development Director. He teaches composition and literature at Queens College CUNY, […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/5761"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=5761"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/5761\/revisions"}],"predecessor-version":[{"id":5808,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/5761\/revisions\/5808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=5761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=5761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=5761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}