{"id":4989,"date":"2020-10-01T21:15:36","date_gmt":"2020-10-02T01:15:36","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=4989"},"modified":"2021-06-03T09:16:17","modified_gmt":"2021-06-03T13:16:17","slug":"milena-dragicevic-sesic","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/milena-dragicevic-sesic\/","title":{"rendered":"Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107"},"content":{"rendered":"

\"\"Dr. Milena Dragi<\/strong>\u0107evi\u0107 \u0160e\u0161i\u0107, \u00a0<\/strong>prof. emerita, former President of University of Arts, Belgrade, founder of UNESCO Chair in Interculturalism, Art Management and Mediation, professor of Cultural\u00a0 Policy & Management, Cultural studies, Media studies. Diplomas: D.E.A. Paris-VIII 1977, Mag. University of Arts Belgrade (1981), and Ph.D. in literature and communication University of Belgrade (1990).
\nCommandeur dans l`Ordre des Palmes Academiques (French Ministry of Education) 2002.\u00a0 ENCATC Fellowship Laureate 2019. University of Arts Laureate in 2004 & 2019.<\/p>\n

Guest Lecturer<\/strong> at numerous world universities.\u00a0Published <\/strong>20 books and more than 200 essays: Vers les nouvelles politiques culturelles<\/em>; Art management in turbulent times: adaptable quality management<\/em>; Intercultural mediation in the Balkans<\/em> (both with S. Dragojevic); Culture: management, animation, marketing <\/em>(with Branimir Stojkovi\u0107);\u00a0Neofolk culture<\/em>; Art and alternative<\/em>\u2026 Translated in 17 languages.
\nExpert <\/strong>for UNESCO, European Cultural Foundation, Council of Europe. Realized 50 projects in cultural policy and management (Europe, India, Cambodia, Arab countries, Central Asia).<\/p>\n

The books mentioned in the interview were:\u00a0The Art and Culture of Dissent<\/a><\/div>\n
The Maaya entrepreneurship:<\/a> the entrepreneurial model of the Festival sur le Niger\u00a0 and<\/div>\n
Devojka sa \u0161tapom<\/a>.<\/div>\n
<\/div>\n
\"\"
In October 2019 Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107 became the first ENCATC laureat for her \u201coutstanding achievements in cultural management and policy\u201d ENCATC is a European network on cultural management and policy regrouping higher education institutions that have education and research in these areas. just a dot is missing in between two phrases – so it should be: In October 2019 Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107 became the first ENCATC laureat for her \u201coutstanding achievements in cultural management and policy\u201d. ENCATC is a European network on cultural management and policy regrouping higher education institutions that have education and research in these areas.<\/figcaption><\/figure>\n
\"\"
Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107 & Sanjin Dragojevi\u0107, Intercultural mediation, in albanian language Pri\u0161tina, MM Publishing, 2007, Book cover and design, artist Dren Maliqi. Original edition in Bosnian-Serbo-Croat, OKO Sarajevo 2004. This book was translated in English, French, Georgian & Albanian language.<\/figcaption><\/figure>\n
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Milena Dragi\u0107evi\u0107 \u0161e\u0161i\u0107 and Sanjin Dragojevi\u0107 (2005) Art Management in Turbulent Times: Adaptable Quality Management, Amsterdam: Boekmanstichting<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Dr. Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107, \u00a0prof. emerita, former President of University of Arts, Belgrade, founder of UNESCO Chair in Interculturalism, Art Management and Mediation, professor of Cultural\u00a0 Policy & Management, Cultural studies, Media studies. Diplomas: D.E.A. Paris-VIII 1977, Mag. University of Arts Belgrade (1981), and Ph.D. in literature and communication University of Belgrade (1990). Commandeur dans […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4989"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=4989"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4989\/revisions"}],"predecessor-version":[{"id":5022,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4989\/revisions\/5022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=4989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=4989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=4989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}