{"id":4567,"date":"2021-04-19T11:07:08","date_gmt":"2021-04-19T15:07:08","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=4567"},"modified":"2021-06-03T04:13:51","modified_gmt":"2021-06-03T08:13:51","slug":"sejma-fere","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/sejma-fere\/","title":{"rendered":"\u0160ejma Fere"},"content":{"rendered":"

\"\"<\/a><\/span><\/span><\/p>\n

\u0160ejma Fere<\/a> creates collages, mixed media artworks and installations. <\/span><\/span>Her artworks deal with potential of multiple narratives. She is discovering hidden values and uses of found material to create new structures out of it.<\/span> Her paintings are created in the mode of free associations from numerous fragments, using the recycled materials, technique of collage and digital process. There, by means of the non-linear narration about private sphere, she explores the entanglement of borders of intimate and public space and investigates the ideological constructs, gender<\/span><\/span><\/span> stereotypes and the economic conditions that govern home and everyday life. Sewing patterns, lists, charts and statistic data appropriated from textbooks, documents, furniture catalogs and lifestyle magazines are parts of reality that intrude the private sphere and indicate a failed attempt to adapt to prescribed and homogenized world of mass culture. By superimposing one structure onto another, domestic surrounding is presented as a stage where characters live their reality brought by modern life and technology. These multiple perspectives create spatial and temporal disorientation. It is an open work where viewers fill the gaps and create their own interpretation, becoming a part of this imagined world.<\/span><\/span><\/span> She graduated painting and printmaking. Lives and works in Belgrade.<\/span><\/span><\/span><\/p>\n

In the interview Sejma mentioned the following;<\/p>\n

Norient, audio visual gallery and community<\/a> for the sound of the world.
\n“Among Women: Serbian Contemporary Art”, curated by Rachel Klipa, 937 Gallery, 937 Liberty Avenue, Pittsburgh, PA 15222 (opening on September 6, 2021)
\n“We are alive”, exhibition of Sa\u0161a Stojanovi\u0107 and \u0160ejma Fere, Gallery \u0160ok Koridor, Art Klinika, Novi Sad (14 September-30 October, 2021 in \u0160ok koriodor, Art klinika, Novi Sad)<\/p>\n

Books mentioned:
\nTomi Ungerer, children books<\/a>, J.P. Oliva, L’isolation thermique \u00e9cologique<\/a>, <\/span>Agatha Christie, An Autobiography<\/a>, George Orwell, Down and Out in Paris and London<\/a>.<\/p>\n

\"\"
S\u030cejma Fere, Sofi, kolaz\u030c, 2019<\/figcaption><\/figure>\n
\"\"
House in zemun, 2018- 2021<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u0160ejma Fere creates collages, mixed media artworks and installations. Her artworks deal with potential of multiple narratives. She is discovering hidden values and uses of found material to create new structures out of it. Her paintings are created in the mode of free associations from numerous fragments, using the recycled materials, technique of collage and […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4567"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=4567"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4567\/revisions"}],"predecessor-version":[{"id":4602,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4567\/revisions\/4602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=4567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=4567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=4567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}