{"id":4171,"date":"2021-04-21T14:56:46","date_gmt":"2021-04-21T18:56:46","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=4171"},"modified":"2021-06-03T01:19:37","modified_gmt":"2021-06-03T05:19:37","slug":"rana-tahir","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/rana-tahir\/","title":{"rendered":"Rana Tahir"},"content":{"rendered":"
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\"\"Rana Tahir<\/a> is a poet, artist, and educator living in Portland, OR. She earned her MFA from Pacific University and is a Kundiman Fellow. Her work has previously appeared in\u00a0Print Oriented Bastards<\/i>,\u00a0Fresh Literary Magazine<\/i>, and\u00a0Catch<\/i>\u00a0among others.<\/div>\n
<\/div>\n
Books mentioned in the interview:<\/div>\n
Artists of the Harlem Renaissance: Countee Cullen, Cavendish Square Publishing (2016)<\/a><\/div>\n
Choose Your Own Adventure Spies!: Noor Inayat Khan, ChooseCo LLC (2020)<\/a><\/div>\n
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“Asrar” Oil on Canvas, 24 x 16 inches (This painting is inspired by and named after the Kuwaiti resistance member Asrar al-Qabandi. The Kuwaiti flag is painted upside down, a symbol for distress.)<\/figcaption><\/figure>\n<\/div>\n
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“Crossings” Oil on Canvas, 16 x 24 inches<\/figcaption><\/figure>\n<\/div>\n
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“Bukhoor” Oil on Canvas, 10 x 5 ft. (This is the painting we talked about. Bukhoor is a type of incense made from wood chips soaked in oil, it is a staple in households in the middle east. Bukhoor is also the name of the manuscript of these Gulf War poems.)<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Rana Tahir is a poet, artist, and educator living in Portland, OR. She earned her MFA from Pacific University and is a Kundiman Fellow. Her work has previously appeared in\u00a0Print Oriented Bastards,\u00a0Fresh Literary Magazine, and\u00a0Catch\u00a0among others. Books mentioned in the interview: Artists of the Harlem Renaissance: Countee Cullen, Cavendish Square Publishing (2016) Choose Your Own […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4171"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=4171"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4171\/revisions"}],"predecessor-version":[{"id":4203,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/4171\/revisions\/4203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=4171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=4171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=4171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}