{"id":3809,"date":"2021-02-11T15:39:23","date_gmt":"2021-02-11T20:39:23","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=3809"},"modified":"2021-06-02T22:22:49","modified_gmt":"2021-06-03T02:22:49","slug":"adeeba-shahid-talukder","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/adeeba-shahid-talukder\/","title":{"rendered":"Adeeba Shahid Talukder"},"content":{"rendered":"<div><span style=\"font-family: times new roman, serif;\"><img loading=\"lazy\" class=\"size-medium wp-image-11056 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-1.jpg 199w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-2.jpg 681w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-4.jpg 1021w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-5.jpg 1362w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-8.jpg 279w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-9.jpg 1702w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/DSC_0367-scaled-10.jpg 1280w\" sizes=\"(max-width: 199px) 100vw, 199px\" data-recalc-dims=\"1\" \/><a href=\"http:\/\/www.adeebashahidtalukder.com\/\">Adeeba Shahid Talukder<\/a> is a Pakistani American poet, translator, and singer. She is the author of\u00a0<a href=\"http:\/\/www.glass-poetry.com\/chapbooks\/what-is.html\"><em>What Is Not Beautiful<\/em><\/a>\u00a0(Glass Poetry Press, 2018) and her debut collection,\u00a0<em>Shahr-e-jaanaan: <a href=\"https:\/\/www.barnesandnoble.com\/w\/shahr-e-jaanaan-adeeba-shahid-talukder\/1136470811?ean=9781946482297\">The City of the Beloved\u00a0<\/a><\/em>(Tupelo Press, 2020), is a winner of the Kundiman Poetry Prize. <\/span><span style=\"font-family: times new roman, serif;\">Her poetry has appeared in\u00a0<em>Poem-A-Day, Glass, Gulf Coast, Meridian,\u00a0<\/em>and\u00a0<em>The Margins,<\/em>\u00a0and her translations in\u00a0<em>PBS Frontline<\/em>\u00a0and\u00a0<em>Words Without Borders<\/em>. <\/span><\/div>\n<div><span style=\"font-family: times new roman, serif;\">Adeeba holds an MFA in Creative Writing from the University of Michigan and an Emerging Poets fellowship from Poets House.<br \/>\n<\/span><\/div>\n<div>\n<div><\/div>\n<div><span style=\"font-family: arial, sans-serif;\">Below is the film trailer for<i> An American Prayer<\/i>, featuring &#8220;A Song For My Nation&#8221;<\/span><\/div>\n<div><\/div>\n<\/div>\n<p>\n<iframe loading=\"lazy\" title=\"An American Prayer Film Trailer\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/VFPqC-Zl97U?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-11057\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/Shahr-e-jaanaan_cover.png\" alt=\"\" width=\"640\" height=\"965\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/Shahr-e-jaanaan_cover-1.png 647w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/Shahr-e-jaanaan_cover-2.png 199w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/Shahr-e-jaanaan_cover-3.png 278w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><img loading=\"lazy\" class=\"alignnone wp-image-11058\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/What_Is_Not_Beautiful_Cover.png\" alt=\"\" width=\"640\" height=\"991\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/What_Is_Not_Beautiful_Cover-1.png 416w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/What_Is_Not_Beautiful_Cover-2.png 194w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/02\/What_Is_Not_Beautiful_Cover-3.png 271w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adeeba Shahid Talukder is a Pakistani American poet, translator, and singer. She is the author of\u00a0What Is Not Beautiful\u00a0(Glass Poetry Press, 2018) and her debut collection,\u00a0Shahr-e-jaanaan: The City of the Beloved\u00a0(Tupelo Press, 2020), is a winner of the Kundiman Poetry Prize. Her poetry has appeared in\u00a0Poem-A-Day, Glass, Gulf Coast, Meridian,\u00a0and\u00a0The Margins,\u00a0and her translations in\u00a0PBS Frontline\u00a0and\u00a0Words [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3809"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=3809"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3809\/revisions"}],"predecessor-version":[{"id":3830,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3809\/revisions\/3830"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=3809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=3809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=3809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}