{"id":3651,"date":"2021-03-03T18:48:22","date_gmt":"2021-03-03T23:48:22","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=3651"},"modified":"2021-06-02T21:23:20","modified_gmt":"2021-06-03T01:23:20","slug":"michael-bevilacqua","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/michael-bevilacqua\/","title":{"rendered":"Michael Bevilacqua"},"content":{"rendered":"

\"\"Known for combining high and low culture through elements of painting, drawing, graphic design, animation, and collage, Bevilacqua characteristically works in a saturated palette, covering his glossy canvases with brand logos and doodles.<\/p>\n

Michael Bevilacqua’s semi autographical mixed-media works serve as a platform for exposing his cultural, intellectual and spiritual preferences.<\/p>\n

His work can be found in numerous public collections including the Whitney Museum of American Art, New York and the San Francisco Museum of Modern Art.<\/p>\n

Learn more on his Instagram account<\/a>.<\/p>\n

The book mentioned in the interview was The Devil you know by Charles M Blow<\/a>.<\/p>\n

\"\"
Balen\/SEGA 2019 paint and acrylic on digital canvas 55\u201d x 65\u201d<\/figcaption><\/figure>\n
\"\"
Shake this Disease 2020 paint pen and acrylic on paper 24\u201d x 18\u201d<\/figcaption><\/figure>\n
\"\"
Data Moshers 2017 UV ink on canvas 60\u201d x 48\u201d<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Known for combining high and low culture through elements of painting, drawing, graphic design, animation, and collage, Bevilacqua characteristically works in a saturated palette, covering his glossy canvases with brand logos and doodles. Michael Bevilacqua’s semi autographical mixed-media works serve as a platform for exposing his cultural, intellectual and spiritual preferences. His work can be […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3651"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=3651"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3651\/revisions"}],"predecessor-version":[{"id":3683,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/3651\/revisions\/3683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=3651"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=3651"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=3651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}