{"id":2631,"date":"2019-09-24T17:46:16","date_gmt":"2019-09-24T21:46:16","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=2631"},"modified":"2021-06-02T14:07:23","modified_gmt":"2021-06-02T18:07:23","slug":"michele-cohen","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/michele-cohen\/","title":{"rendered":"Michele Cohen"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"size-medium wp-image-9754 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-1.jpg 198w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-2.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-3.jpg 675w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-4.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-5.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-6.jpg 277w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/478743-7.jpg 1080w\" sizes=\"(max-width: 198px) 100vw, 198px\" data-recalc-dims=\"1\" \/>Michele Cohen has served as the Curator for the Architect of the Capitol since October 2015, where she oversees the Curator division, including the photography and records branches, and is responsible for the stewardship of heritage assets throughout the Capitol Campus. She earned her B.A. in Art History and English Literature from the State University of New York at Buffalo and a Ph.D. in Art History from the Graduate Center of the City University of New York.<\/p>\n<p>She began her career as the Director of the Sculpture Inventory for the Public Design Commission of the City of New York.\u00a0 From 1989 to 2009 she served as the Founding Director of New York City\u2019s Public Art for Public Schools program, where she managed acquisitions, conservation of art, and a collection inventory for hundreds of school buildings. \u00a0More recently, she has been a college professor, independent curator, and public art consultant.<\/p>\n<p>Her publications include <em>The Art Commission and Municipal Art Society Guide to Manhattan\u2019s Outdoor Sculpture<\/em> (Prentice Hall Press, 1988), <a href=\"https:\/\/www.monacellipress.com\/book\/?isbn=9781580932158\"><em>Public Art for Public Schools<\/em><\/a> (The Monacelli Press, 2009) and chapters in <em>The Decorated School: Essays on the Visual Culture of Schooling<\/em> (Black Dog Publishing, 2013) and <em>Theresa Bernstein: A Century in Art<\/em> (University of Nebraska Press, 2013).<\/p>\n<figure id=\"attachment_9758\" aria-describedby=\"caption-attachment-9758\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-9758 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159.jpg\" alt=\"\" width=\"640\" height=\"961\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-1.jpg 682w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-2.jpg 200w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-4.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-5.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-6.jpg 280w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-7.jpg 1280w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/patent_corridor_after_cons_428159-8-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-9758\" class=\"wp-caption-text\">Murals designed by Constantino Brumidi in the Patent Corridor of the Senate wing of the U.S. Capitol after conservation, 2015. The murals were begun in 1857 and the fresco lunettes were added in the 1870s. Photo credit: Architect of the Capitol.<\/figcaption><\/figure>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-9755\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book.jpg\" alt=\"\" width=\"640\" height=\"845\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-1.jpg 776w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-2.jpg 227w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-4.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-5.jpg 318w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2019\/09\/Public-Art-for-Public-Schools-Book-6.jpg 818w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michele Cohen has served as the Curator for the Architect of the Capitol since October 2015, where she oversees the Curator division, including the photography and records branches, and is responsible for the stewardship of heritage assets throughout the Capitol Campus. She earned her B.A. in Art History and English Literature from the State University [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2631"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=2631"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2631\/revisions"}],"predecessor-version":[{"id":2657,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2631\/revisions\/2657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=2631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=2631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=2631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}