{"id":25265,"date":"2026-07-14T18:58:53","date_gmt":"2026-07-14T22:58:53","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=25265"},"modified":"2026-07-14T19:08:35","modified_gmt":"2026-07-14T23:08:35","slug":"yuya-saito","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/yuya-saito\/","title":{"rendered":"Yuya Saito"},"content":{"rendered":"

\"\"Yuya Saito<\/a> (b. 1982, Japan) lives and works in Brooklyn, New York. He makes wall-based works and freestanding sculpture in laminated and bent wood, a language he has developed over more than a decade out of the craft of bent-wood furniture-making.<\/p>\n

Saito\u2019s work has been presented internationally at such institutions and venues as Rockefeller Center, New York; Brooklyn Army Terminal, New York; National Art Center, Tokyo; and Setagaya Art Museum, Tokyo.<\/p>\n

Public commissions include installations for the Brooklyn Army Terminal, New York (2026) and Art Link at Yokohama Red Brick Warehouse (2022). He is the recipient of the TRiCERA Award and Jury Award at IAG Awards 2021, as well as the Special Jury Award at Independent Tokyo 2020.<\/p>\n

\"\"
Yuya Saito, Ground Rules, Installation View<\/figcaption><\/figure>\n
\"\"
Yuya Saito, Ground Rules, Installation View<\/figcaption><\/figure>\n
\"\"
Yuya Saito, Ground Rules, Installation View<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Yuya Saito (b. 1982, Japan) lives and works in Brooklyn, New York. He makes wall-based works and freestanding sculpture in laminated and bent wood, a language he has developed over more than a decade out of the craft of bent-wood furniture-making. Saito\u2019s work has been presented internationally at such institutions and venues as Rockefeller Center, […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/25265"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=25265"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/25265\/revisions"}],"predecessor-version":[{"id":25283,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/25265\/revisions\/25283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=25265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=25265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=25265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}