{"id":24512,"date":"2026-03-20T10:53:05","date_gmt":"2026-03-20T14:53:05","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=24512"},"modified":"2026-03-20T11:11:48","modified_gmt":"2026-03-20T15:11:48","slug":"torbjorn-rodland","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/torbjorn-rodland\/","title":{"rendered":"Torbj\u00f8rn R\u00f8dland"},"content":{"rendered":"<div>\n<figure id=\"attachment_16321\" aria-describedby=\"caption-attachment-16321\" style=\"width: 320px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.davidkordanskygallery.com\/artist\/torbjorn-rodland\"><img loading=\"lazy\" data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-16321\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image.png\" alt=\"\" width=\"320\" height=\"400\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image-1.png 819w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image-2.png 240w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image-3.png 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image-4.png 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/image-5.png 960w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/a><figcaption id=\"caption-attachment-16321\" class=\"wp-caption-text\">Photo: Emma Jenkinson<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.davidkordanskygallery.com\/artist\/torbjorn-rodland\">Torbj\u00f8rn R\u00f8dland <\/a><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, &#039;Segoe UI&#039;, Roboto, Oxygen, Ubuntu, Cantarell, &#039;Open Sans&#039;, &#039;Helvetica Neue&#039;, sans-serif; font-style: italic;\">(b. 1970, Stavanger, Norway) makes photographic images that pointedly address their viewers, evoking a wide range of emotional and intellectual states. Curiosity, humor, criticality, artifice, reverence for the natural world, and romanticism appear throughout his work and often in the same image. R\u00f8dland also emphasizes the formal attributes of his photographs, pushing the medium toward modes of visual expression more commonly associated with painting, and forging links between twentieth-century art photography and twenty-first-century approaches to image-making common to advertising and social media. Often prompted by non-photographic imagery that he transforms into real-world photographic subjects, R\u00f8dland portrays scenes designed to generate psychological reaction through his depiction of highly sensory qualities. The physicality present in the work is driven by his use of film-based cameras and chemical darkroom processes. Torbj\u00f8rn&#8217;s first exhibition at David Kordansky Gallery&#8217;s New York location, <\/span><a style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, &#039;Segoe UI&#039;, Roboto, Oxygen, Ubuntu, Cantarell, &#039;Open Sans&#039;, &#039;Helvetica Neue&#039;, sans-serif; font-style: italic;\" href=\"https:\/\/www.davidkordanskygallery.com\/exhibitions\/torbjorn-rodland4\"><i>Bones in the Canal and Other Photographs<\/i><\/a><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, &#039;Segoe UI&#039;, Roboto, Oxygen, Ubuntu, Cantarell, &#039;Open Sans&#039;, &#039;Helvetica Neue&#039;, sans-serif; font-style: italic;\">, is on view now through April 25, 2026.<\/span><\/p>\n<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_16323\" aria-describedby=\"caption-attachment-16323\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"size-large wp-image-16323\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026.jpg\" alt=\"\" width=\"696\" height=\"830\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-1.jpg 859w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-2.jpg 252w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-4.jpg 1288w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-5.jpg 1717w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-9.jpg 1392w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_The-First-Curtain_2024-2026-scaled-10.jpg 2088w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16323\" class=\"wp-caption-text\">R\u00f8dland, The First Curtain, 2024-2026<\/figcaption><\/figure>\n<figure id=\"attachment_16324\" aria-describedby=\"caption-attachment-16324\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"size-large wp-image-16324\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025.jpg\" alt=\"\" width=\"696\" height=\"582\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Forgetting-Victoria_2025-scaled-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16324\" class=\"wp-caption-text\">R\u00f8dland, Forgetting Victoria, 2025<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_16322\" aria-describedby=\"caption-attachment-16322\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16322\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026.jpg\" alt=\"\" width=\"696\" height=\"578\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Rodland_Taveners-The-Lamb_2024-2026-scaled-9.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16322\" class=\"wp-caption-text\">R\u00f8dland, Tavener&#8217;s The Lamb, 2024-2026<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Photo: Emma Jenkinson Torbj\u00f8rn R\u00f8dland (b. 1970, Stavanger, Norway) makes photographic images that pointedly address their viewers, evoking a wide range of emotional and intellectual states. Curiosity, humor, criticality, artifice, reverence for the natural world, and romanticism appear throughout his work and often in the same image. R\u00f8dland also emphasizes the formal attributes of his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24512"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=24512"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24512\/revisions"}],"predecessor-version":[{"id":24551,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24512\/revisions\/24551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=24512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=24512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=24512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}