{"id":24477,"date":"2026-03-18T12:38:04","date_gmt":"2026-03-18T16:38:04","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=24477"},"modified":"2026-03-18T13:09:46","modified_gmt":"2026-03-18T17:09:46","slug":"kevin-umana","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/kevin-umana\/","title":{"rendered":"Kevin Uma\u00f1a"},"content":{"rendered":"<p><img loading=\"lazy\" data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-16316 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy.jpg\" alt=\"\" width=\"281\" height=\"201\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/headshot3-SRGB-copy-scaled-9.jpg 1392w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><a href=\"https:\/\/www.yanceyrichardson.com\/exhibitions\/kevin-umana\">Kevin Uma\u00f1a<\/a> (b. 1989, Los Angeles, CA) is an artist who lives and works in Brooklyn, NY. Spending his early years between Los Angeles and El Salvador, Uma\u00f1a\u2019s personal history has profoundly shaped his visual language.<\/p>\n<p>In El Salvador, he was immersed in a rural environment rich with natural textures, vibrant flora, and traditional crafts. While in Los Angeles, he confronted the intensity of city life and the pressures of assimilation. This duality seeded the fragmented forms and layered symbolism that define his art today. His practice continues to carry echoes of Latin American patterns, nature\u2019s geometry, and American architectural influences, all reimagined through abstraction.<\/p>\n<p>Uma\u00f1a received his B.F.A from San Francisco State University in 2014. In 2025, Uma\u00f1a received the Louis Comfort Tiffany Foundation Award. He has completed residencies at the Josef and Anni Albers Foundation (2024); Anderson Ranch (2024); Sharpe-Walentas Studio Program (2023-24); Archie Bray Foundation for the Ceramic Arts, Helena, MT (2023); The Center for Book Arts, New York (2019). In 2017, Uma\u00f1a created a permanent installation at the United Nations Headquarters in New York City<span>. <\/span>Institutions owning his work include The United Nations Art Collection, New York; Everson Museum of Art, Syracuse, NY; Munson, Utica, NY; Fidelity Mutual Funds Collection; Center for Book Arts Library, New York; and The Marin Museum of Contemporary Art, Novato, CA. In 2026, Uma\u00f1a will be participating in the MacDowell Fellowship in New Hampshire.<\/p>\n<figure id=\"attachment_16317\" aria-describedby=\"caption-attachment-16317\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"size-large wp-image-16317\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana.jpg\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-1.jpg 819w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-2.jpg 240w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-4.jpg 1229w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-5.jpg 1638w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-9.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Revisiting-the-Roman-Walls_-kevin-umana-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16317\" class=\"wp-caption-text\">Kevin Uma\u00f1a, Revisiting the Roman Walls, 2026. Acrylic, oil, flock, ink, sand, marble dust, salt, resin, ceramics on canvas, 24 x 18 x 2 3\/4 inches.<\/figcaption><\/figure>\n<figure id=\"attachment_16318\" aria-describedby=\"caption-attachment-16318\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"size-large wp-image-16318\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling.jpg\" alt=\"\" width=\"696\" height=\"870\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-1.jpg 819w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-2.jpg 240w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-4.jpg 1229w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-5.jpg 1638w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-9.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/03\/Sanguine_and_spiraling-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16318\" class=\"wp-caption-text\">Kevin Uma\u00f1a, Sanguine and Spiraling, 2023. Acrylic, oil, vinyl paint, flock, ink, sand, gouache, ceramics on canvas, 24 1\/4 x 18 1\/4 x 1 1\/2 inches.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Kevin Uma\u00f1a (b. 1989, Los Angeles, CA) is an artist who lives and works in Brooklyn, NY. Spending his early years between Los Angeles and El Salvador, Uma\u00f1a\u2019s personal history has profoundly shaped his visual language. In El Salvador, he was immersed in a rural environment rich with natural textures, vibrant flora, and traditional crafts. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24477"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=24477"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24477\/revisions"}],"predecessor-version":[{"id":24511,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24477\/revisions\/24511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=24477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=24477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=24477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}