{"id":24109,"date":"2026-01-23T13:07:24","date_gmt":"2026-01-23T18:07:24","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=24109"},"modified":"2026-01-23T13:11:43","modified_gmt":"2026-01-23T18:11:43","slug":"paul-scott","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/paul-scott\/","title":{"rendered":"Paul Scott"},"content":{"rendered":"
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Paul Scott in print studio with cut Wild Rose detail<\/figcaption><\/figure>\n

Paul Scott<\/a> (b. 1953, United Kingdom) is a UK-based artist, living and working in Cumbria, with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft, and design, he is well known for his research into printed vitreous surfaces, as well as his characteristic blue-and-white artworks in glazed ceramic.<\/p>\n

Scott\u2019s artworks<\/a> can be found in public collections around the globe, including the National Museum, Norway; the Victoria and Albert Museum, London, UK; National Museums Liverpool; the Carnegie Museum of Art, Pittsburgh, PA; and the Brooklyn Museum, Brooklyn, NY. Commissioned work can be found in a number of UK museums, as well as in public places in the north of England, including Carlisle, Maryport, Gateshead, and Newcastle upon Tyne. He has also completed large-scale works in Hanoi, Vietnam, and at the Guldagerg\u00e5rd public sculpture park in Denmark.<\/p>\n

A combination of rigorous research, studio practice, curation, writing, and commissioned work ensures that his practice continues to develop. His work is fundamentally concerned with the reanimation of familiar objects, landscape, pattern, and a sense of place. He was professor of ceramics at the Oslo National Academy of the Arts (KHiO) from 2011\u20132018. Scott received his Bachelor of Art Education and Design from Saint Martin\u2019s College and his PhD from the Manchester Institute for Research and Innovation in Art and Design in England. His current research project,\u00a0New American Scenery,\u00a0<\/em>has been supported by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England.<\/p>\n

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Cumbrian Blue(s), New American Scenery, Souvenir of Portland OR Black Lives Matter (After Killen & Howard)\/Trumpian Campaigne, No.5<\/span>, 2021. <\/span>Transfer print collage on partially erased Staffordshire transferware souvenir plate by Rowland & Marsellus, c.1900
10.25″ Dia. x 1\u201d D<\/figcaption><\/figure>\n
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Cumbrian Blue(s), New American Scenery, Residual Waste (Texas) No.5\/1<\/span>, 2022<\/span>
Transfer print collage, shell-edged pearlware platter, 13″ H x 17.25″ W x 1.25\u201d D<\/figcaption><\/figure>\n
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Cumbrian Blue(s), New American Scenery, The Sleep of Reason, Wood Cuts (After Spode’s Woodland\/Wild Rose) 2<\/span>, 2024<\/span>
Transfer print collage on pearlware plate with Kintsugi, 11″ Dia. x 0.5″ D<\/figcaption><\/figure>\n
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Cumbrian Blue(s), New American Scenery, Sampler Jug, No.7 (After Stubbs)<\/span>, 2021<\/span>
Transfer print collage on pearlware jug, 15″ H x 14″ W x 11.75″ D<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Paul Scott in print studio with cut Wild Rose detail Paul Scott (b. 1953, United Kingdom) is a UK-based artist, living and working in Cumbria, with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft, and design, he is well known for his research into printed […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24109"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=24109"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24109\/revisions"}],"predecessor-version":[{"id":24159,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24109\/revisions\/24159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=24109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=24109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=24109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}