{"id":24041,"date":"2026-01-21T17:49:14","date_gmt":"2026-01-21T22:49:14","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=24041"},"modified":"2026-01-21T18:10:29","modified_gmt":"2026-01-21T23:10:29","slug":"janet-echelman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/janet-echelman\/","title":{"rendered":"Janet Echelman"},"content":{"rendered":"<p><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-16189 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large.jpeg\" alt=\"\" width=\"244\" height=\"162\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JanetEchleman_PhtotoRoserBrothers_Portrait1-Large-6.jpeg 1280w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/><a href=\"https:\/\/www.echelman.com\/\">Janet Echelman<\/a> is an artist known for sculpting at the scale of buildings and city blocks, creating large-scale, fluid installations that merge art, architecture, and engineering. Her work transforms with wind and light, inviting viewers into immersive experiences rather than static observation. Echelman uses unconventional materials\u2014from atomized water particles to fiber stronger than steel\u2014blending traditional craft with advanced computational design. Her monumental works anchor public spaces across five continents, in cities including New York, London, Sydney, Shanghai, and Singapore.<\/p>\n<p>Permanent installations in locations such as San Francisco, Vancouver, and Porto continually evolve with shifting light and air. Echelman\u2019s unconventional path includes a degree from Harvard, five years living in a Balinese village, and graduate studies in both painting and psychology. Oprah ranked Echelman\u2019s work #1 on her List of 50 Things That Make You Say Wow!, and she received the Smithsonian American Ingenuity Award in Visual Arts, honoring \u201cthe greatest innovators in America today.\u201d Recipient of the Guggenheim Fellowship, she has taught at MIT, Harvard, and Princeton. Her interdisciplinary approach challenges artistic boundaries and redefines urban space through experiential public art.<\/p>\n<p>Her recent book, <em>Radical Softness The Responsive Art of Janet Echelman<\/em> is <a href=\"https:\/\/www.echelman.com\/shop\">now available<\/a>.<\/p>\n<p><img loading=\"lazy\" data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-large wp-image-16190\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large.jpeg\" alt=\"\" width=\"696\" height=\"818\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-1.jpeg 871w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-2.jpeg 255w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/1.1_ECH_9-11-25_007-Large-6.jpeg 1089w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><\/p>\n<p><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-large wp-image-16191\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large.jpeg\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/029_2025-FA_RadicalSoftness-JanetEchelman_SAM_RyanGammaPhotography_e-Large-6.jpeg 1280w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><\/p>\n<figure id=\"attachment_16192\" aria-describedby=\"caption-attachment-16192\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-16192\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large.jpeg\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/JulieLemberger-9570_cc-Large-6.jpeg 1280w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" \/><figcaption id=\"caption-attachment-16192\" class=\"wp-caption-text\">&#8220;Noli Timere&#8221; by Rebecca Lazier at Berlinde theater at Princeton Univ.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Janet Echelman is an artist known for sculpting at the scale of buildings and city blocks, creating large-scale, fluid installations that merge art, architecture, and engineering. Her work transforms with wind and light, inviting viewers into immersive experiences rather than static observation. Echelman uses unconventional materials\u2014from atomized water particles to fiber stronger than steel\u2014blending traditional [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24041"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=24041"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24041\/revisions"}],"predecessor-version":[{"id":24071,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24041\/revisions\/24071"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=24041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=24041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=24041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}