{"id":24006,"date":"2026-01-20T14:55:30","date_gmt":"2026-01-20T19:55:30","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=24006"},"modified":"2026-01-20T15:10:58","modified_gmt":"2026-01-20T20:10:58","slug":"isaac-lythgoe","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/isaac-lythgoe\/","title":{"rendered":"Isaac Lythgoe"},"content":{"rendered":"<div>\n<p dir=\"ltr\"><img loading=\"lazy\" data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-16182 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait.jpeg\" alt=\"\" width=\"330\" height=\"495\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-1.jpeg 683w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-2.jpeg 200w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-4.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-5.jpeg 1366w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/portrait-scaled-9.jpeg 1707w\" sizes=\"(max-width: 330px) 100vw, 330px\" \/><a href=\"https:\/\/www.kutlesagallery.com\/exhibitions\/46-isaac-lythgoe-everyones-a-bad-guy\">Isaac Lythgoe<\/a> is a sculptor, painter and writer based In Paris, FR. His practice is world-building; reimagining narrative traditions and modes of storytelling, he creates interconnected works that probe power structures, contemporary ethics, and shifting social norms. Within this constructed universe, arcs of romance and mortality intersect, inviting viewers to consider how collective memory is formed\u2014and what future societies might resemble. This temporal drift between past and future is mirrored in Lythgoe\u2019s aesthetic language, where tensions between the natural and the synthetic unfold through form, material, and gesture.<\/p>\n<p dir=\"ltr\">Recent and forthcoming shows include Phantasmagoria: Folkloric Sculpture for the Digital Age, The Henry Moore Institute, Leeds, UK, (2026), Would I lie to you, Duarte Sequeira, Seoul, KR (2024), Production Residency at Lafayette Anticipations, Paris, FR, (2024), Cute!, Somerset House, London, UK, (2024), After Laughter Comes Tears, MUDAM, Luxembourg, LX, (2023) amongst others.<\/p>\n<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_16175\" aria-describedby=\"caption-attachment-16175\" style=\"width: 682px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-16175 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large.jpeg\" alt=\"\" width=\"682\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large-1.jpeg 682w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large-2.jpeg 200w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00025-Large-5.jpeg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><figcaption id=\"caption-attachment-16175\" class=\"wp-caption-text\">Beautiful losers, 180cm x 140cm, oil on canvas, 2025.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_16176\" aria-describedby=\"caption-attachment-16176\" style=\"width: 682px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-16176 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large.jpeg\" alt=\"\" width=\"682\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large-1.jpeg 682w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large-2.jpeg 200w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00048-Large-5.jpeg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><figcaption id=\"caption-attachment-16176\" class=\"wp-caption-text\">I pretended there was nowhere to love, 80cm x 60cm, oil on canvas, 2025<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_16177\" aria-describedby=\"caption-attachment-16177\" style=\"width: 683px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-16177 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583.jpeg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-1.jpeg 683w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-2.jpeg 200w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-4.jpeg 1025w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-5.jpeg 1366w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2026\/01\/DSC00583-scaled-9.jpeg 1708w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption id=\"caption-attachment-16177\" class=\"wp-caption-text\"><i>Everyone\u2019s a bad guy,<\/i> 110cm x 80cm x 80cm fibreglass, carbon fibre, epoxy, cast aluminium, scarab beetles<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Isaac Lythgoe is a sculptor, painter and writer based In Paris, FR. His practice is world-building; reimagining narrative traditions and modes of storytelling, he creates interconnected works that probe power structures, contemporary ethics, and shifting social norms. Within this constructed universe, arcs of romance and mortality intersect, inviting viewers to consider how collective memory is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24006"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=24006"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24006\/revisions"}],"predecessor-version":[{"id":24040,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/24006\/revisions\/24040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=24006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=24006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=24006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}