{"id":23832,"date":"2025-12-24T08:37:37","date_gmt":"2025-12-24T13:37:37","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=23832"},"modified":"2025-12-24T09:12:17","modified_gmt":"2025-12-24T14:12:17","slug":"jeanine-brito","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/jeanine-brito\/","title":{"rendered":"Jeanine Brito"},"content":{"rendered":"
\"\"Jeanine Brito<\/a> (b. 1993, Germany) is a painter living and working in Montr\u00e9al, Canada. Layered in theatrical and fairy tale imagery, she uses her likeness to play with ideas of gender and desire. Her paintings have permeated the cultural consciousness, appearing in Harris Reed\u2019s debut runway collection for Nina Ricci, on an album cover by Clara Luciani, on the cover of the highly reviewed debut novel by Sophie Kemp, and many other crossover collaborations.<\/div>\n
Recent exhibitions include All the Better to Eat You With, Nicodim, Los Angeles (2025)<\/a>, The Amber of This Moment, Nicodim, Bucharest (2025), The Grumpy Girls, Nicodim, New York (2024), The Invitation: A Fairytale by Jeanine Brito, Nicodim Upstairs, Los Angeles (2023), So Softly and Sweetly, La Causa Galeria, Madrid (2022), You Me Me You curated by Rachel Keller, Nicodim, Los Angeles (2022), New Mythologies II, Huxley Parlour, London (2022).<\/div>\n
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All the Better to Eat You With, 2025 acrylic on canvas 66 x 94 in. 167.6 x 238.8 cm<\/figcaption><\/figure>\n<\/div>\n
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The Lovers, 2025 acrylic on canvas 66 x 50 in. 167.6 x 127 cm<\/figcaption><\/figure>\n<\/div>\n
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Good Girls, 2025 acrylic on canvas 66 x 50 in. 167.6 x 127 cm<\/figcaption><\/figure>\n
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Impresario, 2025 acrylic on canvas 34 x 26 in. 86.4 x 66 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Jeanine Brito (b. 1993, Germany) is a painter living and working in Montr\u00e9al, Canada. Layered in theatrical and fairy tale imagery, she uses her likeness to play with ideas of gender and desire. Her paintings have permeated the cultural consciousness, appearing in Harris Reed\u2019s debut runway collection for Nina Ricci, on an album cover by […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23832"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=23832"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23832\/revisions"}],"predecessor-version":[{"id":23888,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23832\/revisions\/23888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=23832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=23832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=23832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}