{"id":2383,"date":"2019-10-15T19:36:52","date_gmt":"2019-10-15T23:36:52","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=2383"},"modified":"2021-06-02T12:18:54","modified_gmt":"2021-06-02T16:18:54","slug":"jeremiah-ariaz","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/jeremiah-ariaz\/","title":{"rendered":"Jeremiah Ariaz"},"content":{"rendered":"
\"\"
Jeremiah Ariaz<\/figcaption><\/figure>\n

Jeremiah Ariaz<\/a> artworks explore\u00a0the West<\/em>\u00a0as both a physical space and a terrain for the imagination. For his most recently completed project, Louisiana Trail Riders<\/em><\/a> he was the recipient of a 2018 ATLAS grant, the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities, the Southern Arts Finalist Prize from South Arts, as well as being named the Louisiana State Fellow. The photographs have been exhibited nationally and a monograph of the work was released last fall by UL Press (2018).<\/p>\n

His forthcoming project TUCUMCARI<\/em><\/a> is a decade-long work focused on the New Mexico town while providing a window to the country at the time of a changing workforce and increasing economic inequality. The photographs create a portrait of a distinctly American place caught between a vanishing past and an uncertain future. Ariaz is a Professor at Louisiana State University.<\/p>\n

\"\"
Homer Joseph Decuir Jr. (center) of Bad Weather Stables<\/figcaption><\/figure>\n
\"\"
Louisiana Trail Riders K-State, Museum installation<\/figcaption><\/figure>\n
\"\"
Louisiana Trail Riders, Jeremiah Ariaz, UL Press, 2018.\u00a0<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Jeremiah Ariaz Jeremiah Ariaz artworks explore\u00a0the West\u00a0as both a physical space and a terrain for the imagination. For his most recently completed project, Louisiana Trail Riders he was the recipient of a 2018 ATLAS grant, the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities, the Southern Arts Finalist Prize […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2383"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=2383"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2383\/revisions"}],"predecessor-version":[{"id":2401,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2383\/revisions\/2401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=2383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=2383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=2383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}