{"id":23791,"date":"2025-12-17T16:19:21","date_gmt":"2025-12-17T21:19:21","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=23791"},"modified":"2025-12-17T17:16:24","modified_gmt":"2025-12-17T22:16:24","slug":"ryan-crotty","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/ryan-crotty\/","title":{"rendered":"Ryan Crotty"},"content":{"rendered":"
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R<\/a>yan Crotty<\/a> earned his BFA in painting from the University of Nebraska-Lincoln and his MFA in painting from Syracuse University. His work has been exhibited extensively both nationally and internationally.<\/div>\n
Recent solo shows include a solo presentation at Untitled Art with High Noon<\/a>, Miami, FL; Ever So Slightly Off, Rutger Brandt Gallery, Amsterdam, NL; and Underlying Issues, Galerie Robertson Ares, Montreal, QC. Recent group exhibitions include The Stage is Yours! curated by Eric Gauthier, Exo Gallery, Stuttgart, DE; Spectrum, Galerie Bessaud, Paris, FR; and Tone Poem, The Hole, Los Angeles, CA.<\/div>\n
His work has been featured in publications such as the New York Times, the Washington Post, Hyperallergic, Artillery, and Design Milk. Crotty lives and works in Auburn, Nebraska.<\/div>\n
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Ryan Crotty, “Sub Rosa,” 2025, acrylic, gloss gel, and modeling paste on linen, 36″ x 30″<\/figcaption><\/figure>\n
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Ryan Crotty, “Get a Move On,” 2025, acrylic gloss gel, and modeling paste on line, 60″ x 48″<\/figcaption><\/figure>\n
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Ryan Crotty, “Exit Strategy,” 2025, acrylic, gloss gel, and modeling paste on linen, 48″ x 36″<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Ryan Crotty earned his BFA in painting from the University of Nebraska-Lincoln and his MFA in painting from Syracuse University. His work has been exhibited extensively both nationally and internationally. Recent solo shows include a solo presentation at Untitled Art with High Noon, Miami, FL; Ever So Slightly Off, Rutger Brandt Gallery, Amsterdam, NL; and […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23791"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=23791"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23791\/revisions"}],"predecessor-version":[{"id":23831,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23791\/revisions\/23831"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=23791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=23791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=23791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}