{"id":23627,"date":"2025-11-26T16:10:51","date_gmt":"2025-11-26T21:10:51","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=23627"},"modified":"2025-11-26T17:13:23","modified_gmt":"2025-11-26T22:13:23","slug":"keiran-brennan-hinton-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/keiran-brennan-hinton-2\/","title":{"rendered":"Keiran Brennan Hinton"},"content":{"rendered":"
\"\"
photo by Colin Outridge.<\/figcaption><\/figure>\n

The exhibition Change of Scenery<\/em><\/a>, \u00a0marks the painter\u2019s third solo show with the gallery. It is the culmination of a year\u2019s worth of travel across the U.S., as Brennan Hinton spent extended time in residency in Corsicana, TX, Martha\u2019s Vineyard, MA, and Fishers Island, NY. Brennan Hinton\u2019s practice focuses on the sustained act of observation, the plein-air discipline, and painting\u2019s ability to capture the essence of a place. The time spent in three distinctive towns, each in its own ways divergent from Brennan Hinton\u2019s familiar Ontario, required the artist to meet each place with open eyes and a fresh palette. To situate himself, Brennan Hinton leaned on two formative texts, Lonesome Dove <\/i>by Larry McMurtry and Moby Dick <\/i>by Herman Melville, which are each set in the same landscapes in which he painted.<\/p>\n

Keiran Brennan Hinton (b. 1992, Toronto) lives and works in Toronto and Elgin, Ontario. He received his BFA from Pratt Institute in 2014 and his MFA from Yale University in 2016. His work is held in the permanent collections of the Ogunquit Museum of Art, Ogunquit, ME and The Dennos Museum Center, Traverse City, MI. Past international solo shows of Brennan Hinton\u2019s work include exhibitions at MAKI Gallery, Tokyo, Japan (2022); Thomas Fuchs Gallery, Stuttgart, Germany (2021); Charles Moffett, New York, NY (2023, 2021); Nicholas Robert Gallery, Ontario (2022); and Francesco Pantaleone Gallery, Palermo, Italy (2019) among others. His paintings have been featured in institutional exhibitions at the Art Gallery of Ontario, Toronto, Ontario; James Castle House, Boise, Idaho; and Katonah Museum of Art, Westchester, NY.<\/p>\n

\"\"
Keiran Brennan Hinton, The White Pine, 2025. Oil on linen, 70 x 60 in. Photo by Lauren Finlay. Courtesy the artist and Charles Moffett.<\/figcaption><\/figure>\n

 <\/p>\n

\"\"
Keiran Brennan Hinton, Texas Sky (Sunrise), 2024. Oil on linen, 56 x 44 in. Photo by Daniel Greer. Courtesy the artist and Charles Moffett.<\/figcaption><\/figure>\n
\"\"
Keiran Brennan Hinton, Fishers Island Living Room, 2025. Oil on linen, 9 x 12 in. Photo by Zeshan Ahmed. Courtesy the artist and Charles Moffett.<\/figcaption><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

photo by Colin Outridge. The exhibition Change of Scenery, \u00a0marks the painter\u2019s third solo show with the gallery. It is the culmination of a year\u2019s worth of travel across the U.S., as Brennan Hinton spent extended time in residency in Corsicana, TX, Martha\u2019s Vineyard, MA, and Fishers Island, NY. Brennan Hinton\u2019s practice focuses on the […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23627"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=23627"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23627\/revisions"}],"predecessor-version":[{"id":23672,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/23627\/revisions\/23672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=23627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=23627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=23627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}