{"id":2163,"date":"2020-05-13T18:28:04","date_gmt":"2020-05-13T22:28:04","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=2163"},"modified":"2021-06-02T10:38:00","modified_gmt":"2021-06-02T14:38:00","slug":"harry-moritz","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/harry-moritz\/","title":{"rendered":"Harry Moritz"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"size-medium wp-image-10326 alignleft\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-rotated.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-1.jpg 225w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-2.jpg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-3.jpg 1152w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-4.jpg 1536w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-5.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-6.jpg 1068w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-7.jpg 315w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-8.jpg 1920w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Me_HarryMoritz-scaled-9.jpg 1280w\" sizes=\"(max-width: 225px) 100vw, 225px\" data-recalc-dims=\"1\" \/>In my work, I use manufacturing to reflect on human-machine dynamics, sexuality and gender queerness. I think about how the workforces\u2019 relationship to their machinery lacks heartfelt conscious reflection. Personality and machinery are often separate. I challenge this, making work that shows how humanity, personal identity and machinery can be a reflection of one another. Human sexuality and machine movements are similar in their dynamics and relationships. In my latest body of work, I use my lathe to produce phallic objects that explore gender queer motifs relating to the machinery I work with and my own sexual expression. My work sifts through old places in our culture.Factories that have seen many years and parts made.<\/p>\n<p>After attending Pratt Institute for sculpture, I received my Machinist Certificate from Housatonic College in Bridgeport CT. My interest in machine work is the catalyst for how I understand the world. Time was always an interest that I would express in mechanical terms. Eventually I began making clocks out of aluminum discs. Then I was in the group exhibition, Horology at Jack Hanley Gallery in 2019. My studio is in Brooklyn, NY, where I have a machine shop to produce my work. Crossdressing is something I have been getting into lately. Exploring femininity has been very expansive for my work. I am more in touch with who I am, which is inspiring me to make work that I\u2019ve never made before.<\/p>\n<div>Note &#8211; here is the link to the <a href=\"http:\/\/www.newreleasegallery.com\/decameron1\/\">online show<\/a> mentioned in the interview.<\/div>\n<div>Also, here is a link to <a href=\"http:\/\/traumawien.at\/stuff\/theory\/duchamp-marcel_the_afternoon_interviews.pdf\">the book mentioned<\/a> in the interview.<\/div>\n<div>\n<div><\/div>\n<\/div>\n<figure id=\"attachment_10331\" aria-describedby=\"caption-attachment-10331\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-10331 size-large\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-1.jpg 1024w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-2.jpg 300w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-3.jpg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-4.jpg 1536w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-5.jpg 2048w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-6.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-7.jpg 1068w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-8.jpg 630w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-9.jpg 1280w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/Aqueous-1-scaled-10.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10331\" class=\"wp-caption-text\">Aqueous (May 2020)<\/figcaption><\/figure>\n<figure id=\"attachment_10332\" aria-describedby=\"caption-attachment-10332\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-10332 size-large\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01.jpg\" alt=\"\" width=\"640\" height=\"683\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-1.jpg 960w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-2.jpg 281w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-3.jpg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-4.jpg 1440w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-5.jpg 1921w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-6.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-7.jpg 1068w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-8.jpg 394w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/05\/BottleButtPlugs01-scaled-9.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10332\" class=\"wp-caption-text\">Bottle Butt Plugs\u00a0(April 2020)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In my work, I use manufacturing to reflect on human-machine dynamics, sexuality and gender queerness. I think about how the workforces\u2019 relationship to their machinery lacks heartfelt conscious reflection. Personality and machinery are often separate. I challenge this, making work that shows how humanity, personal identity and machinery can be a reflection of one another. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2163"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=2163"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2163\/revisions"}],"predecessor-version":[{"id":2196,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/2163\/revisions\/2196"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=2163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=2163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}