{"id":21365,"date":"2025-04-14T15:16:28","date_gmt":"2025-04-14T19:16:28","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=21365"},"modified":"2025-04-14T16:16:37","modified_gmt":"2025-04-14T20:16:37","slug":"laurie-sheck","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/laurie-sheck\/","title":{"rendered":"Laurie Sheck"},"content":{"rendered":"<p><img loading=\"lazy\" data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-15428 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large.jpeg\" alt=\"\" width=\"273\" height=\"196\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/Laurie-Sheck-6332.sm-3-1-Large-6.jpeg 1280w\" sizes=\"(max-width: 273px) 100vw, 273px\" \/>Laurie Sheck\u2019s novel A Monster\u2019s Notes, a reimagining of Mary Shelley\u2019s Frankenstein, \u00a0was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize.<\/p>\n<p>Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim Fellow, a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. A member of the MFA Creative Writing faculty at the New School, she lives in New York City.<\/p>\n<p>This interview focuses on her new book, <a href=\"https:\/\/www.tupelopress.org\/product\/cyborg-fever\/\"><em>Cyborg Fever.<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.tupelopress.org\/product\/cyborg-fever\/\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-15430\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/cyborgfevercover.png\" alt=\"\" width=\"593\" height=\"882\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/cyborgfevercover-1.png 593w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2025\/04\/cyborgfevercover-2.png 202w\" sizes=\"(max-width: 593px) 100vw, 593px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laurie Sheck\u2019s novel A Monster\u2019s Notes, a reimagining of Mary Shelley\u2019s Frankenstein, \u00a0was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize. Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/21365"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=21365"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/21365\/revisions"}],"predecessor-version":[{"id":21377,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/21365\/revisions\/21377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=21365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=21365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=21365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}