{"id":20463,"date":"2025-01-15T14:54:46","date_gmt":"2025-01-15T19:54:46","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=20463"},"modified":"2025-01-15T15:12:39","modified_gmt":"2025-01-15T20:12:39","slug":"mark-van-yetter","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/mark-van-yetter\/","title":{"rendered":"Mark van Yetter"},"content":{"rendered":"

\"\"Mark van Yetter<\/a> (b. 1978) lives and works in the Poconos, PA. Van Yetter co-founded exhibition space Marquise Dance Hall (2007-2015), which started as a book and record store in New York, before transitioning to an itinerant gallery in Istanbul.<\/p>\n

Current and previous solo exhibitions include Plunderbund Charity, Ebensperger, Berlin, GE (2022); Damn View, Ebensperger Rhomberg, Berlin, GE (2019); False Friends… and Six Bottles, Kunsthalle St. Gallen, St. Gallen, CH (2019); Drawings 2005 – 2018: 20 Propositions at Salzburger Kunstverein, Salzburg, AT (2018); You can observe a lot by just watching, Bridget Donahue, New York, US (2018); We are what we walk between, Micky Schubert, Berlin, DE (2016); The Terrifying Abyss of Skepticism, Bridget Donahue, New York, US (2016); The mere knowledge of a fact is pale, Kunsthall Stavanger, Stavanger, NO (2016); Relentless Compassion, VI, VII, Oslo, NO (2015). Selected group exhibitions include Catechism, Bridget Donahue, New York, US (2022); Freedom & Independence, Ebensperger, Berlin, GE (2020); Any Day Now, Spr\u00fcth Magers, Berlin, GE, (2020); To confess, one must tell lies, Clages Gallery, Cologne, GE (2019); Nightfall, Mendes Wood DM, Brussels, BE (2018); All\u2019estero & Dr. K.\u2019s Badereise nach Riva: Version B, Croy Nielsen, Vienna, AT (2018); All\u2019estero & Dr. K. Takes the Waters at Riva: Version A, A Plus A Gallery, Venice, IT (2018); H\u00fctti, Ludlow 38, New York, US (2017); At the bar, MD Bar, Cologne, DE (2017); Monday is a Day Between Sunday and Tuesday, Tanya Leighton, Berlin, DE (2017); Group Show, Micky Schubert, Berlin, DE (2015); Eray B\u00f6rtecene, Sonja Weissmann, Mark van Yetter, Institut f\u00fcr Bienenzucht, D\u00fcsseldorf, DE (2014). Van Yetter was the recipient of the F\u00fcrstenberg Zeitgen\u00f6ssisch Residency in 2016.<\/p>\n

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Mark van Yetter, Jonas, Amelie & Loki, 2024 Pastel on paper, artist’s pine frame 27.6 \u00d7 39.4 in. (70.10 \u00d7 100.08 cm). Copyright Mark van Yetter, Courtesy of the artist and Bridget Donahue, NYC, Photo by Charles Benton.<\/figcaption><\/figure>\n
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Mark van Yetter, Umar, 2024 Pastel on paper, artist’s pine frame 18.9 \u00d7 14.2 in. Copyright Mark van Yetter
Courtesy of the artist and Bridget Donahue, NYC, Photo by Charles Benton.<\/figcaption><\/figure>\n
\"\"
Mark van Yetter, Untitled, 2024 Oil on paper, artist’s pine frame 12 \u00d7 9.1 in. (30.48 \u00d7 23.11 cm) Copyright Mark van Yetter
Courtesy of the artist and Bridget Donahue, NYC, Photo by Charles Benton.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Mark van Yetter (b. 1978) lives and works in the Poconos, PA. Van Yetter co-founded exhibition space Marquise Dance Hall (2007-2015), which started as a book and record store in New York, before transitioning to an itinerant gallery in Istanbul. Current and previous solo exhibitions include Plunderbund Charity, Ebensperger, Berlin, GE (2022); Damn View, Ebensperger […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/20463"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=20463"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/20463\/revisions"}],"predecessor-version":[{"id":20487,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/20463\/revisions\/20487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=20463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=20463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=20463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}