{"id":1779,"date":"2020-06-08T11:09:58","date_gmt":"2020-06-08T15:09:58","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=1779"},"modified":"2021-06-02T07:18:27","modified_gmt":"2021-06-02T11:18:27","slug":"yasue-maetake","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/yasue-maetake\/","title":{"rendered":"Yasue Maetake"},"content":{"rendered":"
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Yasue Portraiture photo by Kyle Knodell<\/figcaption><\/figure>\n

Yasue Maetake<\/a> is a Japanese-born, New York-based artist. While Maetake respond to a range of influences such as Animism, Baroque, natural forms and industrial constructions, her work centers on the creation of evocative sculptures that grapple with non-controllable forces of nature and serve as a proxy for the human body.<\/p>\n

Maetake was recently named by Artsy <\/em>as one of 20 international women advancing the field of sculpture and, her work was exhibited at Palazzo Benzon, in conjunction with the 58th Venice Biennale and The Chimney, Brooklyn.<\/p>\n

She was a resident of El Anatsui\u2019s studio in Nigeria with a research grant from Cultural Ministry Japan. She holds MFA from Columbia University.<\/p>\n

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Symbolic Atmosphere VIII 2020 H30 x 44 x 24 inch. assorted animal bones & seashells, steel, brass, copper, cotton pulp, synthetic clay photo by Kyle Knodell<\/figcaption><\/figure>\n
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Precarious Windbreak\u00a0 2019 H115 x 67 x 71 inch. copper corrosion and steel corrosion on pulp, steel, bronze, cane photo by Allegheny Art Galleries, PA<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Yasue Portraiture photo by Kyle Knodell Yasue Maetake is a Japanese-born, New York-based artist. While Maetake respond to a range of influences such as Animism, Baroque, natural forms and industrial constructions, her work centers on the creation of evocative sculptures that grapple with non-controllable forces of nature and serve as a proxy for the human […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1779"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=1779"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1779\/revisions"}],"predecessor-version":[{"id":1816,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1779\/revisions\/1816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=1779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=1779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=1779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}