{"id":16499,"date":"2023-11-15T18:44:28","date_gmt":"2023-11-15T23:44:28","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=16499"},"modified":"2023-11-15T19:13:55","modified_gmt":"2023-11-16T00:13:55","slug":"matthew-kirk","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/matthew-kirk\/","title":{"rendered":"Matthew Kirk"},"content":{"rendered":"

\"\"<\/strong>Matthew Kirk\u2019s (Navajo Nation) practice combines the materiality of his long-held job as an art-handler with mark-making inspired by comics, abstraction, and Din\u00e9 (Navajo) visuality.<\/p>\n

A 2019 Eiteljorg Fellow, his work was recently featured in The New York Times<\/em>.<\/p>\n

His recent solo exhibition White Snake<\/em> (2023) was presented at Halsey McKay Gallery<\/a> in New York City. Kirk was born in Arizona, raised in Wisconsin, and is based in Queens, New York.<\/p>\n

\"\"
Waste Is A Thief, 2023 Wood, acrylic, ink. graphite, leather, coroplast, insulation foam, hardware, wire, canvas 63 x 60.5 x 6 inches (160 x 153.7 x 15.2 cm)<\/figcaption><\/figure>\n
\"\"
Save That Chitter Chatter, 2023 Wood, acrylic, ink, graphite, Nerf, hardware, cotton strap 35.25 x 46.75 inches (89.5 x 118.7 cm)<\/figcaption><\/figure>\n
\"\"
I’ll Sing Along, 2023 Canvas, acylic, graphite, hardware, basketball rim, rope, hardware, wood 58.5 x 35 x 7 inches (148.6 x 88.9 x 17.8 cm)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Matthew Kirk\u2019s (Navajo Nation) practice combines the materiality of his long-held job as an art-handler with mark-making inspired by comics, abstraction, and Din\u00e9 (Navajo) visuality. A 2019 Eiteljorg Fellow, his work was recently featured in The New York Times. His recent solo exhibition White Snake (2023) was presented at Halsey McKay Gallery in New York […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16499"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=16499"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16499\/revisions"}],"predecessor-version":[{"id":16529,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16499\/revisions\/16529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=16499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=16499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=16499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}