{"id":16195,"date":"2023-10-19T11:17:40","date_gmt":"2023-10-19T15:17:40","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=16195"},"modified":"2023-10-24T12:09:13","modified_gmt":"2023-10-24T16:09:13","slug":"david-winner-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/david-winner-2\/","title":{"rendered":"David Winner"},"content":{"rendered":"<p><a href=\"http:\/\/outpost19.com\/EnemyCombatant\/\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-14127 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-rotated.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-1.jpg 225w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-2.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-3.jpg 1152w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/10\/IMG_2829-scaled-8.jpg 1392w\" sizes=\"(max-width: 225px) 100vw, 225px\" data-recalc-dims=\"1\" \/>Enemy Combatant<\/a>, David Winner&#8217;s third novel (March 2021) received a\u00a0<a href=\"https:\/\/www.kirkusreviews.com\/book-reviews\/david-winner\/enemy-combatant\/\">Kirkus-starred review<\/a>\u00a0and was a\u00a0<a href=\"https:\/\/booklife.com\/project\/enemy-combatant-54415\">Publisher&#8217;s Weekly\/Booklife Editor&#8217;s Pick<\/a>.<\/p>\n<p>He is the co-editor of <em>Writing the Virus<\/em>, a <em>New York Times<\/em>-noted Anthology. His Kirkus-recommended second novel, <em>Tyler&#8217;s Last,<\/em> was nominated for a Pushcart while his first, <em>The Cannibal of Guadalajara<\/em>, won the 2009 Gival Press Novel Award and was nominated for the National Book Award. His work has appeared in <em>The Village Voice, Fiction<\/em>, <em>The Iowa Review<\/em>, <em>The Millions<\/em>, <em>The Kenyon Review<\/em> and (in German) <em>Manuskripte<\/em>.<\/p>\n<p>He is a senior editor at <em>StatOrec<\/em> magazine, the fiction editor of <em>The American<\/em>, a magazine based in Rome, a regular contributor to <em>The Brooklyn Rail, and <\/em>a columnist for<em> 3 Quarks Daily\u00a0 <\/em><a href=\"https:\/\/outpost19.com\/masterlovers\"><em>Master Lovers<\/em><\/a>, a non-fiction work inspired by hidden love letters from the 1930\u2019s, comes out in November.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enemy Combatant, David Winner&#8217;s third novel (March 2021) received a\u00a0Kirkus-starred review\u00a0and was a\u00a0Publisher&#8217;s Weekly\/Booklife Editor&#8217;s Pick. He is the co-editor of Writing the Virus, a New York Times-noted Anthology. His Kirkus-recommended second novel, Tyler&#8217;s Last, was nominated for a Pushcart while his first, The Cannibal of Guadalajara, won the 2009 Gival Press Novel Award and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16195"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=16195"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16195\/revisions"}],"predecessor-version":[{"id":16206,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/16195\/revisions\/16206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=16195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=16195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=16195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}