{"id":1614,"date":"2020-06-24T19:24:30","date_gmt":"2020-06-24T23:24:30","guid":{"rendered":"http:\/\/museumofnonvisibleart.com\/praxis\/?p=1614"},"modified":"2021-06-02T06:17:45","modified_gmt":"2021-06-02T10:17:45","slug":"mia-kang","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/mia-kang\/","title":{"rendered":"Mia Kang"},"content":{"rendered":"<figure id=\"attachment_10476\" aria-describedby=\"caption-attachment-10476\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" class=\"wp-image-10476 size-medium\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang-1.jpg 300w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang-2.jpg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang-3.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang-4.jpg 420w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang-5.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10476\" class=\"wp-caption-text\">Mia Kang. Photo by Tiona Nekkia McClodden.<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.miaadrikang.com\/\">Mia Kang<\/a> writes poems and other perversions. She is the author of <em>City Poems <\/em>(2020), a poetry pamphlet from ignitionpress.<\/p>\n<p>Mia was named the 2017 winner of <em>Boston Review\u2019s<\/em> Annual Poetry Contest by M\u00f3nica de la Torre, and her writing has appeared in journals including <em>POETRY<\/em>, <em>Washington Square Review<\/em>, <em>Narrative Magazine<\/em>, and <em>PEN America<\/em>.<\/p>\n<p>She is a Brooklyn Poets Fellow, runner-up for the 2019 and 2017 Discovery Poetry Contests, and finalist for the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship. She has received awards from the Academy of American Poets, the Fine Arts Work Center in Provincetown, and the Millay Colony for the Arts.<\/p>\n<p>Mia is also a PhD student in the history of art at Yale University, where her research focuses on the contested rise of U.S. multiculturalism and its failures. Recent publications include contributions to <em>The Life and Times of Alvin Baltrop<\/em> (Skira, 2019), <em>Sanford Biggers: Codeswitch <\/em>(Yale University Press, 2020),<em> Published by Lugemik: Printed Matter from 2010-2019 <\/em>(Lugemik, 2019), and <em>Plot<\/em> magazine. Formerly a Mellon Mays Undergraduate Fellow, she teaches as a lecturer at Yale College and Hunter College, CUNY, her alma mater.<\/p>\n<figure id=\"attachment_10477\" aria-describedby=\"caption-attachment-10477\" style=\"width: 636px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-10477 size-large\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover.jpg\" alt=\"\" width=\"636\" height=\"1024\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-1.jpg 636w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-2.jpg 186w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-3.jpg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-4.jpg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-5.jpg 261w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/CityPoemsCover-6.jpg 942w\" sizes=\"(max-width: 636px) 100vw, 636px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10477\" class=\"wp-caption-text\">City Poems (Oxford: ignitionpress, 2020)<\/figcaption><\/figure>\n<figure id=\"attachment_10478\" aria-describedby=\"caption-attachment-10478\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-10478 size-large\" src=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp.jpeg\" alt=\"\" width=\"640\" height=\"960\" srcset=\"http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-1.jpeg 683w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-2.jpeg 200w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-3.jpeg 768w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-4.jpeg 1024w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-5.jpeg 1365w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-6.jpeg 696w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-7.jpeg 1068w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-8.jpeg 280w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-9.jpeg 1707w, http:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/06\/Kang_gp-scaled-10.jpeg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10478\" class=\"wp-caption-text\">Theresa, I Miss You (Rest) performance at garden\u2013\u2013pleasure closing exhibition, February 8, 2020, Yale School of Architecture Gallery. Photo by Bek Andersen.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Mia Kang. Photo by Tiona Nekkia McClodden. Mia Kang writes poems and other perversions. She is the author of City Poems (2020), a poetry pamphlet from ignitionpress. Mia was named the 2017 winner of Boston Review\u2019s Annual Poetry Contest by M\u00f3nica de la Torre, and her writing has appeared in journals including POETRY, Washington Square [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1614"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=1614"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1614\/revisions"}],"predecessor-version":[{"id":1640,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1614\/revisions\/1640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=1614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=1614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=1614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}