{"id":15300,"date":"2023-08-03T16:57:50","date_gmt":"2023-08-03T20:57:50","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=15300"},"modified":"2023-08-03T17:12:31","modified_gmt":"2023-08-03T21:12:31","slug":"zhang-dali","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/zhang-dali\/","title":{"rendered":"Zhang Dali"},"content":{"rendered":"<p class=\"p1\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-large wp-image-13919\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2.jpeg\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-5.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-6.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-7.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/4.-Zhang_Dali_Portrait_2-8.jpeg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><\/p>\n<p class=\"p1\"><a href=\"http:\/\/www.galleryek.com\/exhibitions\/zhang-dali-suffocation2\">Zhang Dali<\/a> was born in Harbin, China in 1963. He graduated from the painting department at the Central Academy of Fine Arts in Beijing with a BA in 1987. An influential figure in socio-political artistic movements in China, Zhang Dali has, for decades, challenged the conventional with his social documentation in graffiti, sculpture, photography, and painting.<\/p>\n<p class=\"p1\">Zhang was exiled from China after graduating from the Central Academy of Fine Arts and spent six years immersing himself in Western art and art history in Italy. Upon his return to Beijing, he developed a keen interest in portraiture (usually of himself), documentary and public urban art, often interrupting spaces with confrontational political statements. The photograph series &#8216;A Second History&#8217; consists of propaganda and found images under the rule of Mao, which have been doctored or altered to the Chairman&#8217;s artistic &#8216;vision&#8217; of politics and appropriation. He is critically recognized as one of China&#8217;s first graffiti and street artists.<\/p>\n<p class=\"p1\">In 2011, Zhang Dali\u2019s work was featured in New Photography 2011 at the Museum of Modern Art in New York. The New York Times reviewed the show, mentioning that \u201cthe evocation of Orwellian busywork constantly varnishing truth for the benefit of dictatorial dominion is chilling to contemplate.\u201d In 2014, Zhang Dali presented a comprehensive solo show at Klein Sun Gallery titled Square, which featured his cyanotypes, fiberglass sculptures, and paintings. Art in America praised Zhang\u2019s work as it \u201dcompels his audience to acknowledge those who are damaged and marginalized, in hopes of expanding civic awareness and empathy\u201d and stated that \u201cit is now time for the Western media to accord Zhang recognition for his powerful, courageous artworks, which speak up for those who cannot freely speak for themselves.&#8221;<\/p>\n<p class=\"p1\">His work is in public collections including Museum of Modern Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Saatchi Gallery, London, UK; Smart Museum, Chicago, IL; and Asia Society, New York, NY.<\/p>\n<p class=\"p1\">Zhang Dali currently lives and works in Beijing, China.<\/p>\n<figure id=\"attachment_13920\" aria-describedby=\"caption-attachment-13920\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13920 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021.jpg\" alt=\"\" width=\"696\" height=\"480\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-5.jpg 218w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-8.jpg 1750w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-41_Red_cyanotype_on_cotton_160x230cm_2021-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13920\" class=\"wp-caption-text\">Zhang Dali Dove (41), 2021. Red cyanotype on cotton, 63 x 90 1\/2 inches (160 x 230 cm)<\/figcaption><\/figure>\n<figure id=\"attachment_13921\" aria-describedby=\"caption-attachment-13921\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13921 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1.jpg\" alt=\"\" width=\"696\" height=\"574\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-8.jpg 2000w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Dove-57_Blue_cyanotype_on_cotton_150x190cm_2023-1-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13921\" class=\"wp-caption-text\">Zhang Dali Dove (57), 2023. Blue cyanotype on cotton, 59 x 74 3\/4 inches (150 x 190 cm)<\/figcaption><\/figure>\n<figure id=\"attachment_13922\" aria-describedby=\"caption-attachment-13922\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-13922\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020.jpg\" alt=\"\" width=\"696\" height=\"917\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-1.jpg 777w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-2.jpg 228w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-4.jpg 1166w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/08\/Zhang_Dali_Herbarium_Pagoda_Tree-S.-japonicum-2_Blue_cyanotype_on_cotton_135x96cm_2020-7.jpg 1200w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13922\" class=\"wp-caption-text\">Zhang Dali, Herbarium Pagoda Tree (S. japonicum) (2), 2020. Blue cyanotype on cotton, 53 1\/8 x 37 3\/4 inches (135 x 96 cm)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Zhang Dali was born in Harbin, China in 1963. He graduated from the painting department at the Central Academy of Fine Arts in Beijing with a BA in 1987. An influential figure in socio-political artistic movements in China, Zhang Dali has, for decades, challenged the conventional with his social documentation in graffiti, sculpture, photography, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/15300"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=15300"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/15300\/revisions"}],"predecessor-version":[{"id":15339,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/15300\/revisions\/15339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=15300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=15300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=15300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}