{"id":14885,"date":"2023-07-04T13:58:38","date_gmt":"2023-07-04T17:58:38","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=14885"},"modified":"2023-07-04T14:13:27","modified_gmt":"2023-07-04T18:13:27","slug":"amy-winstanley","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/amy-winstanley\/","title":{"rendered":"Amy Winstanley"},"content":{"rendered":"
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portrait by Emma Dove<\/figcaption><\/figure>\n

Amy Winstanley<\/a> (b. 1983, Dumfries, UK) is based in Glasgow, UK. She received a BA (Hons) in Sculpture from the Edinburgh College of Art (2005) and an MA from the Sandberg Instituut, Amsterdam (2019). Recent solo exhibitions include: Moral Limb, Stallan-Brand, Glasgow, UK (2021); Grief Bruise, Lunchtime Gallery, Glasgow, UK (2021); Inscapes, AndCollective Gallery, Bridge of Allen, UK (2016); and Interconnections, Gracefield Arts Centre, Dumfries, UK (2015).<\/p>\n<\/div>\n

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Recent group exhibitions include: Strangers, Rongwrong, Amsterdam, Netherlands (2022); tangible\/intangible, The Haberdashery, Glasgow, UK (2022); Potluck, Gallery 17717, Seoul, South Korea (2021); To All Our Absent Dialogues, Warbling Collective, London, UK (2020); Surge, Patriothall Gallery, Edinburgh, UK (2017); Fugue Lounge, Neverneverland, De Punt, Amsterdam, Netherlands (2018); Surge, Patriothall Gallery, Edinburgh, UK (2017); Every word left unspoken during the exhibition is the title, Neverneverland, De Punt, Amsterdam, Netherlands (2017); Spring Fling at Home, Gracefield Arts Centre, Dumfries, UK (2014); and Members Show, Transmission Gallery, Glasgow, UK (2015).<\/div>\n
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Winstanley was nominated for the Sluijter prize for painting 2019 (Netherlands), and has been the recipient of the Hope Scott Trust award (2014) and the Creative Scotland Visual Arts Award (2010 and 2014). Along with the artist collective ALKMY she has published short stories and images in What Ties Ties, Ties (2020) and What Thoughts Think Thoughts (2021) both through Print Art Research Centre, Seoul, Korea. Winstanley has an upcoming solo exhibition at Cample Line, Thornhill, UK<\/a> in July 2023.<\/div>\n
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Amy Winstanley, <\/span>Care Bond Chorus<\/em>, 2023, Oil on canvas, 22 7\/8 x 20 7\/8 in | 58 x 53 cm, Courtesy the artist and Margot Samel, NYC, Photo by Gregory Carideo<\/figcaption><\/figure>\n
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Amy Winstanley, Matter is Never a Settled Matter, 2023, Oil on canvas, 59 x 47 1\/4 in | 150 x 120 cm, Courtesy the artist and Margot Samel, NYC. Photo by Gregory Carideo<\/figcaption><\/figure>\n
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Amy Winstanley, Untitled, 2023, Oil on canvas, 13 x 8 7\/8 in | 33 x 22.5 cm, Courtesy the artist and Margot Samel, NYC. Photo by Patrick Jameson<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

portrait by Emma Dove Amy Winstanley (b. 1983, Dumfries, UK) is based in Glasgow, UK. She received a BA (Hons) in Sculpture from the Edinburgh College of Art (2005) and an MA from the Sandberg Instituut, Amsterdam (2019). Recent solo exhibitions include: Moral Limb, Stallan-Brand, Glasgow, UK (2021); Grief Bruise, Lunchtime Gallery, Glasgow, UK (2021); […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14885"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=14885"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14885\/revisions"}],"predecessor-version":[{"id":14925,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14885\/revisions\/14925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=14885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=14885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=14885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}