{"id":14002,"date":"2023-03-24T14:10:41","date_gmt":"2023-03-24T18:10:41","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=14002"},"modified":"2023-03-24T14:18:40","modified_gmt":"2023-03-24T18:18:40","slug":"charles-atlas","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/charles-atlas\/","title":{"rendered":"Charles Atlas"},"content":{"rendered":"<figure id=\"attachment_13625\" aria-describedby=\"caption-attachment-13625\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13625 size-medium\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large.jpeg\" alt=\"\" width=\"300\" height=\"260\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-1.jpeg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-2.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-4.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-5.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_Lori-E-Seid-Large-6.jpeg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13625\" class=\"wp-caption-text\">photograph by Lori E. Seid<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.luhringaugustine.com\/artists\/charles-atlas#tab:thumbnails\">Charles Atlas<\/a> was born in St. Louis, MO in 1949; he has lived and worked in New York City since the early 1970s. Recent solo exhibitions include <em>The Mathematics of <\/em>Consciousness, a 100-foot long video installation commissioned by Pioneer Works, Brooklyn, NY, and supported by a grant from the VIA Art Fund; <em>Charles Atlas: Ominous, Glamorous, Momentous, Ridiculous, <\/em>Fondazione ICA Milano, Italy; and <em>Charles Atlas: The past is here, the futures are coming <\/em>and <em>The Kitchen Follies, <\/em>The Kitchen, New York.<\/p>\n<p>In 2017, the Hammer Museum, Los Angeles acquired Atlas&#8217; five-channel video installation with sound entitled <em>The Tyranny of Consciousness, <\/em>which won a prize in <em>Viva Arte Viva, <\/em>the 57<sup>th<\/sup> International Art Exhibition of the Venice Biennial. In September 2019, Atlas unveiled <em>The Geometry of Thought, <\/em>a new commission for Art on theMART that spanned across the 2.5 acre river fac;:ade of theMART in Chicago.Atlas&#8217; work is included in the permanent collections of major institutions worldwide, including the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Art Institute of Chicago; San Francisco Museum of Art; Tate Modern, London; Centre Georges Pompidou, Paris; Hamburger Bahnhof &#8211; Museum fur Gegenwart, Berlin; Migros Museum fur Gegenwartskunst, Zurich; and De Hallen Haarlem, The Netherlands.<\/p>\n<figure id=\"attachment_13626\" aria-describedby=\"caption-attachment-13626\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13626 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11.jpg\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-11-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13626\" class=\"wp-caption-text\">Charles Atlas, A Prune Twin, 2020, Eight-channel video installation with four monitors, with sound, Dimensions variable, Installation view Luhring Augustine Chelsea, New York (January 28 \u2013 March 11, 2023). \u00a9 Charles Atlas; Courtesy of the artist and Luhring Augustine, New York. Photo: John Berens.<\/figcaption><\/figure>\n<figure id=\"attachment_13627\" aria-describedby=\"caption-attachment-13627\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13627 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13.jpg\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/03\/Charles-Atlas_LAG-2022_install-13-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13627\" class=\"wp-caption-text\">Charles Atlas, A Prune Twin, 2020, Eight-channel video installation with four monitors, with sound, Dimensions variable, Installation view Luhring Augustine Chelsea, New York (January 28 \u2013 March 11, 2023). \u00a9 Charles Atlas; Courtesy of the artist and Luhring Augustine, New York. Photo: John Berens.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>photograph by Lori E. Seid Charles Atlas was born in St. Louis, MO in 1949; he has lived and worked in New York City since the early 1970s. Recent solo exhibitions include The Mathematics of Consciousness, a 100-foot long video installation commissioned by Pioneer Works, Brooklyn, NY, and supported by a grant from the VIA [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14002"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=14002"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14002\/revisions"}],"predecessor-version":[{"id":14031,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/14002\/revisions\/14031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=14002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=14002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=14002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}