{"id":13616,"date":"2023-03-01T15:27:45","date_gmt":"2023-03-01T20:27:45","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=13616"},"modified":"2023-03-01T16:17:11","modified_gmt":"2023-03-01T21:17:11","slug":"lexi-bishop","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/lexi-bishop\/","title":{"rendered":"Lexi Bishop"},"content":{"rendered":"

\"\"Lexi Bishop received a Bachelor of Arts degree in Art History and Russian Language from Bryn Mawr College, and a Master\u2019s degree in The History of Art and The Art Market: Modern & Contemporary Art from Christie\u2019s Education. Prior to opening\u00a0here<\/a> <\/strong>in 2020, Lexi was Associate Director of Nino Mier Gallery, Los Angeles. From 2014 to 2019, she worked in the Post-War & Contemporary Art department of Christie\u2019s Auction House, New York as a specialist.<\/p>\n

Before joining Christie\u2019s in 2014, she worked for Kim Heirston Art Advisory and at the Brant Foundation Art Study Center in Greenwich, CT.<\/p>\n

\"\"
Installation view of \u2018Tara Fay Coleman: Marginalia.\u2019 Image: Sean Eaton.<\/figcaption><\/figure>\n
\"\"
Tara Fay Coleman iPhone Note (#1), 2022 screen print on paper 40 x 26 in. (101.6 x 66 cm.) Edition of 3 plus 1 artist’s proof.<\/figcaption><\/figure>\n
\"\"
Tara Fay Coleman iPhone Note (#2), 2022 screen print on paper 40 x 26 in. (101.6 x 66 cm.) Edition of 3 plus 1 artist’s proof.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Lexi Bishop received a Bachelor of Arts degree in Art History and Russian Language from Bryn Mawr College, and a Master\u2019s degree in The History of Art and The Art Market: Modern & Contemporary Art from Christie\u2019s Education. Prior to opening\u00a0here in 2020, Lexi was Associate Director of Nino Mier Gallery, Los Angeles. From 2014 […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13616"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=13616"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13616\/revisions"}],"predecessor-version":[{"id":13658,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13616\/revisions\/13658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=13616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=13616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=13616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}