{"id":13280,"date":"2023-02-14T09:10:38","date_gmt":"2023-02-14T14:10:38","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=13280"},"modified":"2023-02-14T09:28:04","modified_gmt":"2023-02-14T14:28:04","slug":"claudia-pena-salinas","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/claudia-pena-salinas\/","title":{"rendered":"Claudia Pe\u00f1a Salinas"},"content":{"rendered":"<p class=\"p1\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-13446 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait.jpg\" alt=\"\" width=\"277\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-1.jpg 277w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-2.jpg 944w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-4.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-5.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/DallasContemporary.Portrait-6.jpg 1224w\" sizes=\"(max-width: 277px) 100vw, 277px\" data-recalc-dims=\"1\" \/>In the show, <a href=\"https:\/\/bureau-inc.com\/exhibitions\/throughline\">Throughline at Bureau<\/a>, several artists are exhibited and here only Claudia Pe\u00f1a Salinas is interviewed. The text below is an excerpt from the press release on the show.<\/p>\n<p class=\"p1\">Bureau is pleased to announce a group exhibition presenting the work of six artists in various media.<\/p>\n<p class=\"p1\">January 14 &#8211; February 25 2023. Artists Included: Nour Mobarak, Claudia Pe\u00f1a Salinas, Davina Semo, Jeffrey Stuker, Patricia Treib, Viola Ye\u015filta\u00e7.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><a href=\"https:\/\/claudiapenasalinas.com\/\">Claudia Pe\u00f1a Salinas<\/a> mines stories of humanity\u2019s ultimate dream: that of divine and mythological belief. Taking inspiration from pre-Columbian symbology and architecture, Salinas\u2019s sculpture and painting here focus on the Mayan temple of Kukulc\u00e1n (El Castillo) at Chichen Itza. For her sculptures she makes minimal frames out of thin brass dowels which she secures by wrapping with hand-dyed thread. At the base of this airy geometric structure sits statuettes of El Castillo\u2019s related deities Chac Mool, the red Jaguar and Kukulc\u00e1n, each painted with a blue pigment, sacred to the Maya. Her paintings also focus on the iconography and mathematical logic of the temple and its deities. El Castillo was designed to align with the celestial, and on the equinoxes two serpent figures of Kukulk\u00e1n at the base of the pyramid appear to have their long tails running down the side of the pyramid. Grounded upon the earth and aligning with the heavens, the earthly viewer may experience and contemplate the throughlines of impermanent matter and the immaterial.<\/p>\n<figure id=\"attachment_13447\" aria-describedby=\"caption-attachment-13447\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13447 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_.jpg\" alt=\"\" width=\"696\" height=\"848\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-1.jpg 840w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-2.jpg 246w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-4.jpg 1260w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-5.jpg 1680w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-9.jpg 1392w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4443.ElCastilloIV.nil_-scaled-10.jpg 2088w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13447\" class=\"wp-caption-text\">Claudia Pe\u00f1a Salinas El Castillo IV, 2020 Toner and wax on wood panel 20 \u00d7 16 in. (50.80 \u00d7 40.64 cm)<\/figcaption><\/figure>\n<figure id=\"attachment_13448\" aria-describedby=\"caption-attachment-13448\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13448 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_.jpg\" alt=\"\" width=\"696\" height=\"833\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-1.jpg 856w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-2.jpg 251w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-4.jpg 1284w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-5.jpg 1713w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-9.jpg 1392w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2020.P.4441.ChacMoolIV.nil_-scaled-10.jpg 2088w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13448\" class=\"wp-caption-text\">Claudia Pe\u00f1a Salinas Chac Mool IV, 2020 Toner and wax on wood panel 20 \u00d7 16 in. (50.80 \u00d7 40.64 cm)<\/figcaption><\/figure>\n<figure id=\"attachment_13449\" aria-describedby=\"caption-attachment-13449\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13449 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01.jpg\" alt=\"\" width=\"696\" height=\"927\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-1.jpg 769w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-2.jpg 225w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-4.jpg 1153w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-5.jpg 1538w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-9.jpg 1922w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/02\/CPS.2022.S.4444.AhauCan_studio.01-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13449\" class=\"wp-caption-text\">Claudia Pe\u00f1a Salinas Ahua Can, 2023 Brass, dyed ceramic, wood and shell found objects and thread, postcard 72 \u00d7 50 \u00d7 25 in. (182.88 \u00d7 127.00 \u00d7 63.50 cm)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In the show, Throughline at Bureau, several artists are exhibited and here only Claudia Pe\u00f1a Salinas is interviewed. The text below is an excerpt from the press release on the show. Bureau is pleased to announce a group exhibition presenting the work of six artists in various media. January 14 &#8211; February 25 2023. Artists [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13280"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=13280"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13280\/revisions"}],"predecessor-version":[{"id":13322,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/13280\/revisions\/13322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=13280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=13280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=13280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}