{"id":12875,"date":"2023-01-19T18:43:51","date_gmt":"2023-01-19T23:43:51","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=12875"},"modified":"2023-01-19T19:16:34","modified_gmt":"2023-01-20T00:16:34","slug":"samira-abbassy","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/samira-abbassy\/","title":{"rendered":"Samira Abbassy"},"content":{"rendered":"<div><img loading=\"lazy\" class=\"size-medium wp-image-13350 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-1.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-2.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/studio-portrait-copy-scaled-9.jpg 1392w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Samira Abbassy was born in Ahwaz, Iran in 1965 and moved to Lon-don, UK as a child. After graduating from Canterbury College of Art, she began showing in London.<br \/>\nShe moved to New York in 1998, where she helped to set up the Eliza-beth Foundation for the Arts, and the EFA Studio Center.<br \/>\nHer work has been included in shows at the Metropolitan and the British Museum, and is in private and public collections worldwide, including: the Metropolitan Museum, British Museum, the British Government Art Collection, the Grey Art Gallery at NYU, the Burger Collection, the Donald Rubin collection (Rubin Museum, NY), the Farjaam Collection, Dubai, the Los Angeles County Museum and the Afkhami Collection. Her work is currently on view at <a href=\"https:\/\/www.candicemadey.com\/gallery\/all\/carrying-the-effigy\" target=\"_blank\" rel=\"noopener\">CANDICE MADEY Gallery.<\/a><br \/>\nDuring Abbassy\u2019s thirty year career, her work has been the subject of twenty gallery solo shows in London, Dubai and New York.<br \/>\nHer fellowships include: Yaddo fellowship in 2006 and 2022, and Sal-tonstall in 2017.<br \/>\nShe has been awarded two NYFA awards in 2007 and 2018, a Joan Mitchell award in 2010 and a Pollock-Krasner in 2014. Abbassy was also nominated for the Anonymous Was a Woman award in 2018.<br \/>\nIn 2019 her work was included in the 26th Venice Biennial presented by Heist gallery London.<br \/>\nAbbassy has also worked as an educator in many educational institutions in the UK and the USA, some of which are: Hunter college, Penn State and the University of Virginia, where she was the artists in Residence in April 2012.<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_13351\" aria-describedby=\"caption-attachment-13351\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13351 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01.jpg\" alt=\"\" width=\"696\" height=\"899\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-1.jpg 793w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-2.jpg 232w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-4.jpg 1190w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-5.jpg 1587w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-9.jpg 1983w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2021_ANASTASIS_SA004_01-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13351\" class=\"wp-caption-text\">Samira Abbassy Anastasis, 2021 Oil on birch panel 44 x 33 1\/2 inches 111.8 x 85.1 cm, photo by Jeanette May.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_13352\" aria-describedby=\"caption-attachment-13352\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13352 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01.jpg\" alt=\"\" width=\"696\" height=\"918\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-1.jpg 776w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-2.jpg 227w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-4.jpg 1164w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-5.jpg 1552w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-9.jpg 1941w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2016_REINCARNATEDFEARS_SA002_01-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13352\" class=\"wp-caption-text\">Samira Abbassy Reincarnated Fears, 2016 Oil on birch panel 48 x 36 inches 121.9 x 91.4 cm, photo by Jeanette May.<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_13353\" aria-describedby=\"caption-attachment-13353\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13353 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01.jpg\" alt=\"\" width=\"696\" height=\"922\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-1.jpg 773w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-2.jpg 227w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-4.jpg 1160w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-5.jpg 1546w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-9.jpg 1933w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2023\/01\/2014_LOVEANDAMMUNITIONII_SA001_01-scaled-10.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13353\" class=\"wp-caption-text\">Samira Abbassy Love &amp; Ammunition II , 2014 Oil on birch panel 48 x 36 inches 121.9 x 91.4 cm, photo by Jeanette May.<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Samira Abbassy was born in Ahwaz, Iran in 1965 and moved to Lon-don, UK as a child. After graduating from Canterbury College of Art, she began showing in London. She moved to New York in 1998, where she helped to set up the Eliza-beth Foundation for the Arts, and the EFA Studio Center. Her work [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12875"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=12875"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12875\/revisions"}],"predecessor-version":[{"id":12920,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12875\/revisions\/12920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=12875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=12875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=12875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}