{"id":12164,"date":"2022-12-07T22:10:22","date_gmt":"2022-12-08T03:10:22","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=12164"},"modified":"2022-12-08T12:06:30","modified_gmt":"2022-12-08T17:06:30","slug":"anne-vieux","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/anne-vieux\/","title":{"rendered":"Anne Vieux"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"size-medium wp-image-13184 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-1.jpeg 225w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-2.jpeg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-3.jpeg 1152w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-5.jpeg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-6.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-7.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/Vieux_portrait-scaled-8.jpeg 1392w\" sizes=\"(max-width: 225px) 100vw, 225px\" data-recalc-dims=\"1\" \/>The boundary between digital and analog, between novel and nostalgic, is an ever-evolving realm explored in the work of <a href=\"http:\/\/theholenyc.com\/2022\/08\/20\/anne-vieux-3\">artist Anne Vieux<\/a>.<br \/>\nHaving received her BFA in painting and art history from the Kansas City Art Institute and her MFA from Cranbrook Academy of Art, Vieux\u2019s process merges traditional painting with an experimental approach all her own. Using the refracted light patterns of an optical scanner as a jumping off point, Anne mines the depths of digital imagery to look at the patterns and flows behind an image. Appearing at times both metallic and aqueous, her abstract paintings capture something not possible in an analog world, but give warmth and even soul to the randomized data. This marriage of virtual image, physical materiality, and painterly finesse ultimately seeks the tension between the physical and digital realms.<\/p>\n<p>With over a decade of work, <a href=\"http:\/\/www.annevieux.com\/\">Vieux<\/a> has expanded her repertoire to include painting, sculpture, installation, video, artist books, and nfts. in a time when technology rapidly evolves and transforms our experience of life along with it, Vieux\u2019s ability to find beauty and meaning in the flux has garnered her widespread acclaim and a stream of international exhibitions, including solo shows at The Hole, The Journal, NY, NY; County Gallery, Palm Beach, FL; as well as group shows with K\u00f6nig Galerie, Berlin, DE; Cranbrook art museum, Bloomfield Hills, MI; Hunter College Art Gallery, National Arts Club, NY, NY; and Newcomb Art Museum, New Orlean\u2019s, LA. Vieux\u2019s work has been added to notable collections, such as the Newcomb Art Museum, the libraries the Moma, the Met, Virginia Commonwealth, Reed college. Vieux has been commissioned for numerous public art works across the country, including a site-specific installation at the Facebook HQ in San Francisco, CA.<br \/>\nVieux currently lives and works in Brooklyn, New York.<\/p>\n<figure id=\"attachment_13186\" aria-describedby=\"caption-attachment-13186\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13186 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2.jpg\" alt=\"\" width=\"696\" height=\"445\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/2-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13186\" class=\"wp-caption-text\">Mirror Proxies, installation image at The Hole<\/figcaption><\/figure>\n<figure id=\"attachment_13187\" aria-describedby=\"caption-attachment-13187\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13187 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1.jpg\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-4.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-5.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-6.jpg 1500w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/1-7.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13187\" class=\"wp-caption-text\">{{verdure}}, 2022. acrylic and ink on canvas, 86 x 72 inches<\/figcaption><\/figure>\n<figure id=\"attachment_13188\" aria-describedby=\"caption-attachment-13188\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-13188 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3.jpg\" alt=\"\" width=\"696\" height=\"464\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2022\/12\/3-9.jpg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13188\" class=\"wp-caption-text\">~~##_, 2022, digital video h264, 30fps mp4 (2min loop), 3840 x 2160 px<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The boundary between digital and analog, between novel and nostalgic, is an ever-evolving realm explored in the work of artist Anne Vieux. Having received her BFA in painting and art history from the Kansas City Art Institute and her MFA from Cranbrook Academy of Art, Vieux\u2019s process merges traditional painting with an experimental approach all [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12164"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=12164"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12164\/revisions"}],"predecessor-version":[{"id":12166,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/12164\/revisions\/12166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=12164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=12164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=12164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}