{"id":1198,"date":"2020-03-25T16:59:41","date_gmt":"2020-03-25T20:59:41","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=1198"},"modified":"2021-06-02T03:07:32","modified_gmt":"2021-06-02T07:07:32","slug":"desi-mundo","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/desi-mundo\/","title":{"rendered":"Desi Mundo"},"content":{"rendered":"

\"\"Desi Mundo<\/a> is an Oakland-based spray paint educator, hip-hop cultural diplomat and the founder of the Community Rejuvenation Project<\/a>, a pavement to policy mural organization that has produced more than 250 murals, throughout the Bay Area<\/a> as well as nationally and internationally.<\/p>\n

His largest mural, the \u201cUniversal Language\u201d galvanized the Oakland community in the struggle against gentrification resulting in $20 million in community benefits, as documented in the feature documentary film \u201cAlice Street<\/a>.\u201d Desi\u2019s legacy as an educator and youth worker in K-12 schools spans two decades. He received the \u201cRising Leaders\u201d Fellowship from the Youth Leadership Institute in 2005 and has been awarded the Individual Artist<\/a> grant from the City of Oakland eight times.<\/p>\n

<\/div>\n
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The Universal Language mural discussed in the interview.<\/figcaption><\/figure>\n
\"\"
The Universal Language mural with Destiny Muhammad, the “Harpist from the Hood”.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Desi Mundo is an Oakland-based spray paint educator, hip-hop cultural diplomat and the founder of the Community Rejuvenation Project, a pavement to policy mural organization that has produced more than 250 murals, throughout the Bay Area as well as nationally and internationally. His largest mural, the \u201cUniversal Language\u201d galvanized the Oakland community in the struggle […]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1198"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=1198"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1198\/revisions"}],"predecessor-version":[{"id":1226,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1198\/revisions\/1226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=1198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=1198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=1198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}