{"id":1145,"date":"2020-04-05T12:30:00","date_gmt":"2020-04-05T16:30:00","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/praxis\/?p=1145"},"modified":"2021-06-02T02:10:33","modified_gmt":"2021-06-02T06:10:33","slug":"vladimir-palibrk","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/praxis\/vladimir-palibrk\/","title":{"rendered":"Vladimir Palibrk"},"content":{"rendered":"<div>\n<div><img loading=\"lazy\" class=\"size-medium wp-image-10231 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b.jpg\" alt=\"\" width=\"300\" height=\"216\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-1.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-2.jpg 1024w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-8.jpg 583w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-9.jpg 1280w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/IMGP3759-b-scaled-10.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><a href=\"https:\/\/vladimirpalibrk.net\/\">Vladimir Palibrk<\/a><\/div>\n<div>Curator, writer and artist.<\/div>\n<div><\/div>\n<p>After graduating at Comparative studies of world literature department at Belgrade University, Vladimir focused mostly on storytelling through various forms, including words, graphic art forms, and event production\/network management as ways to externalize his visions. With more than 10 years of experience of working as a mediator and author both in challenging non-formal international setting as well in more structured official platforms and organizations worldwide gave him valuable experience in the nature of creative and team processes. He is based in Paris, France, since 2015.<\/p>\n<\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_10232\" aria-describedby=\"caption-attachment-10232\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-full wp-image-10232\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-1.jpg 960w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-3.jpg 768w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-4.jpg 265w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/Installation-at-Atelier-Meraki-Paris-by-DZAIZKU-6.jpg 560w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10232\" class=\"wp-caption-text\">Installation at Atelier Meraki Paris by DZAIZKU<\/figcaption><\/figure>\n<figure id=\"attachment_10233\" aria-describedby=\"caption-attachment-10233\" style=\"width: 679px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-10233 size-full\" src=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/dzaizku-collage.jpg\" alt=\"\" width=\"640\" height=\"905\" srcset=\"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/dzaizku-collage-1.jpg 679w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/dzaizku-collage-2.jpg 212w, https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2020\/04\/dzaizku-collage-3.jpg 297w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-10233\" class=\"wp-caption-text\">Dzaizku collage by Vladimir Palibrk<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Vladimir Palibrk Curator, writer and artist. After graduating at Comparative studies of world literature department at Belgrade University, Vladimir focused mostly on storytelling through various forms, including words, graphic art forms, and event production\/network management as ways to externalize his visions. With more than 10 years of experience of working as a mediator and author [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":844,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-content\/uploads\/2021\/06\/wybcxlogoforweb-big-1sq-e1491800568261.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1145"}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/comments?post=1145"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1145\/revisions"}],"predecessor-version":[{"id":1169,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/posts\/1145\/revisions\/1169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/media?parent=1145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/categories?post=1145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/praxis\/wp-json\/wp\/v2\/tags?post=1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}